Skam's first 12-inch single is rumored to have never been officially released, only distributed as a promo. This was a self-titled debut from Lego Feet ; approximately 100 to 150 copies are believed to exist. The label followed with two 12" records from a project known as Gescom, whose members vary between each release. It is "an open secret that they're somehow associated with" Autechre. Other early Skam releases came from Freeform, Bola, Jega, Team Doyobi, E.Stonji, and Boards of Canada. Boards of Canada's Hi Scores EP, and Gescom's Keynell and Lego Feet have been repressed or reissued. Skam entered the full-length market in 1998 with the releases of Soup by Bola and Music Has the Right to Children by Boards of Canada, the latter being jointly released with Warp Records. A recurring feature on the packaging of Skam releases is the name of the label printed in braille.
Series releases
Skam makes multiple series of record releases within the label, all of which are an anagram of "SKAM". The first three records were produced in conjunction with Musik Aus Strom, and the latter two by Skam alone. Up until the 2004 release of Mr 76ix's Hits of 76ix, the label has produced a 7" single along with each full-length album; the 7" catalogue numbers begin with the letters "KMAS". Skam has since stated on its website that future KMAS releases will feature purely exclusive tracks to complement full-length recordings of the same number. In 2001, Skam began the "SMAK" series. Each SMAK 12" showcased two artists, one per record side. Some SMAK artists, like Quinoline Yellow, have gone on to become full Skam musicians. NMB Allstars went on to become part of the sublabel 33, which Skam has referred to as "a part of the family." Others, like Ola Bergman and Posthuman went on to set up their own record labels: New Speak and Seed Records, respectively. Made, are known for their live acts. In October 2004, Skam began the "AMKS" series with Supermechamaximegamegablast by Mortal and Chemist, which is, as the catalogue number may suggest, a mix.
"It looked for a while as though the minimalist electronic movement had simply disappeared into the valley of the self-indulgent and repetitive. The monotonous sound of a 909 kick drum and high-hat was really beginning to wear on the nerves of even the most committed techheads. Enter the Manchester-based Skam label, which has single-handedly invigorated a minimal techno sound that's not indebted to breakbeats or drum-and-bass. Having released early tracks by cult favorites Gescom and the Boards Of Canada, the Skam imprint has continued to thrive at the periphery of the crepuscular world of underground techno."
In the same magazine in March 1999, Haslett wrote that Skam:
"is notorious for its elusiveness, its tendency to make available only tiny quantities of each release. This might seem an elitist marketing move, an attempt to restrict the audience, but the Skam folks spend so much attention to detail in artwork and sound quality that it's easy to forgive them."
