Ducal palace, Mantua


The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m². Although most famous for Mantegna's frescos in the Camera degli Sposi, they have many other very significant architectural and painted elements.
The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline, which was halted in the 20th century with a continuing process of restoration and the designation of the area as museum.
In 1998, a hidden room was discovered by Palace scholars, led by musicologist Paula Bezzutti. The room is thought to have been used for performances of Monteverdi's music in the late 16th century.

Corte Vecchia

The entrance of the palace is from Piazza Sordello, onto which the most ancient buildings, the Palazzo del Capitano and the Magna Domus, open. They formed the original nucleus of the so-called Corte Vecchia.
The Palazzo del Capitano was built in the late 13th century by the Captain of the People Guido Buonacolsi. Initially built on two floors and separated from the Magna Domus by an alley, in the early 14th century it received a further floor and was united to the Magna Domus by a large façade with a portico. The additional floor consists of a huge hall, known as "Hall of the Weapon Room" of "Hall of Diet", as it housed the Diet of Mantua in 1459.
The monumental Scalone delle Duchesse, built in the 17th century and renovated in 1779 by Paolo Pozzo, leads to the Room of the Morone, named after the 1494 canvas of the Veronese painter Domenico Morone, portraying the Expulsion of the Bonacolsi in 1328. In the noble floor of the Captain's Palace is the First Room of Guastalla, with a fresco frieze with portraits of the Gonzaga family, which once extended to the successive room, the "Room of Pisanello", from the artist who, from 1433, painted a series of frescoes depicting a Tournament and other scenes, which were left unfinished. His commissioner, Gianfrancesco Gonzaga, is portrayed in the paintings. The frescoes were rediscovered and restored in the 1960s and 1970s.

Apartment of Isabella d'Este

In 1519 Isabella d'Este moved her residence from the Castle of St. George to this older sector of the Gonzaga palace, in the so-called "Widow Apartment". Isabella's apartment included two wings now divided by the entrance to the Cortile d'Onore. The "Grotto Wing" housed the wooden furnitures and the paintings from her famous studiolo, commissioned from 1496 to 1505 to Mantegna, Lorenzo Costa the Elder and Perugino, as well as new ones by Correggio. Another hall in the same wing is the Camera Granda or Scalcheria, frescoed in 1522 by the Mantuan artist Lorenzo Leonbruno. The apartment included further halls in the so-called "Wing of Santa Croce", from the name of a church of the time of Matilda of Canossa, over whose remains were built rooms such as the Sala delle Imprese Isabelliane, the Sala Imperiale, Sala delle Calendule, Sala delle Targhe and Sala delle Imprese. Later Guglielmo X Gonzaga, in the 16th century, transformed the rooms of the Corte Vecchia creating the Refectory, facing the Hanging Garden, and the Sala dello Specchio, used for music.

Apartment of the Tapestries

During the Habsburg rule in Mantua, the Refectory was refurbished, with the creation of the Sala dei Fiumi with paintings on the walls on which the rivers in the Mantuan territory are portrayed as giants. At the same time was created the Appartamento degli Arazzi, comprising four halls. Three of the latter have tapestries, executed in the Flanders on cartoons by Raphael, the same used for those in the Raphael Rooms in the Vatican Palace. They were bought at Brussels by Cardinal Ercole Gonzaga in the early 16th century to decorate what at the time was called the Green Apartment. After decorating the Palatine church of St. Barbara and a period in the Ducal Palace's stores, the Flemish tapestries were restored in 1799 and placed in the current location. A further restoration was carried on during the Napoleonic Wars in the Sala dello Zodiaco, also known as "Napoleon I's Hall", after the French emperor slept there.

Castle of St. George

The Castle of St. George was built from 1395 and finished in 1406 under commission by Francesco I Gonzaga, designed by Bartolino da Novara, one of the most renowned military architects of the time. It has a square plan with four corner towers, surrounded by a ditch with three entrances, each one with a drawbridge. In 1459 architect Luca Fancelli, commissioned by marquis Ludovico III Gonzaga, who assigned several rooms of the Corte Vecchia for the Council of Mantua called by Pope Pius II, restored the castle, which definitely lost its military and defensive function.

''Camera degli Sposi''

The Camera Picta or Camera degli Sposi is the most famous room of the palace, known for its frescoes executed by Andrea Mantegna, from 1465 to 1475, as attested by slab celebrating the end of the works. The painter's decoration creates an illusionistic space, as if the chamber was a loggia with three openings facing country landscapes among arcades and curtains. The painted scenes portrays members of the Gonzaga family.

''Domus Nova''

The Domus Nova was originally designed by Luca Fancelli in 1480-84. During the reign of Duke Vincenzo I Gonzaga the edifice was renovated, creating the current Appartamento Ducale designed in 1595 by Cremonese artist and architect Antonio Maria Viani.
The Galleria Nuova was constructed in 1778 by Giuseppe Piermarini to connect the Guastalla apartment to the Ducal apartment. It houses several altarpieces from the early 16th century to the late 18th century by Francesco Borgani, Carlo Bononi, Spagnoletto and others. The gallery leads to the huge Sala degli Arcieri, the site of Duke Vincenzo's original apartment. Here can be found a celebrated altarpiece by Peter Paul Rubens, formerly part of a triptych for the church of Santissima Trinità in Mantua, portraying the Gonzaga Family in Adoration of the Holy Trinity, as well as other paintings from now-suppressed churches and monasteries. This room opens to the Galleria degli Specchi, built as an open loggia under Vincenzo I, with frescoes by two pupils of Guido Reni and neoclassicist decoration dating from 1773-79.
Under his apartment in the Domus Nova, Vincenzo Gonzaga's son, Cardinal Ferdinand had Viani design a series of ever-smaller rooms, long known as the Appartamento dei nani and believed to have been built to house the celebrated court dwarves of Mantua. In 1979, however, Italian art historian Renato Berzaghi convincingly demonstrated that these tiny rooms are instead an exact reproduction of an ancient Roman original: the Scala Santa of St. John Lateran in Rome, and were intended for devotional purposes.

''Corte Nuova''

The main feature of the Corte Nuova is the Sala di Manto, once the entrance to the "Apartment of Troy", which takes its name from the frescoes by collaborators of Giulio Romano, commissioned by Federico II Gonzaga to restore several rooms in the Palace. The current appearance of the Sala del Manto dates to the intervention of Guglielmo X, who ordered the creation of the Appartamento Grande di Castello. The frescoes in the hall depict the story of Troy, preceded by the arrival in Italy of Manto, a legendary daughter of Tiresias.

Palatine church of ''Santa Barbara''

The church of Santa Barbara, which had the role of Palace chapel for the Gonzagas, was built in 1562-1572 by Giovanni Battista Bertani, commissioned by Duke Guglielmo.
As a basilica, it was allowed religious ceremonies with some degree of independence in the liturgy used.
The church has a central plan, with a square tiburium in the middle, followed by a raised semicircular presbytery covered by another tiburium, similar to the other one, and ending into a scenographic apse decorated with coffers. Under the presbytery is the crypt with an oval memorial. The bell tower has a square plan, and is topped by a small temple. Recently the remains of four dukes and other members of the Gonzaga family, including those of Guglielmo, were discovered in the church.
The interior contains two lateral altars, surmounted by large canvas altarpieces by Lorenzo Costa the younger, depicting The Baptism of Emperor Costantine and the Martyrdom of Sant’Adrian. The presbytery has a painting of Martyrdom of St Barbara, by Domenico Brusasorci; and an Annunciation by Fermo Ghisoni beside the organ. Ghisoni also painted around 1566, the St Barbara and San Peter on the other side.

Organ

In 1565 the church was provided with an organ in 1565 by Graziadio Antegnati, a member of a distinguished family of organ builders. The organ was restored in 1995.

Gardens and courtyards