Edwin Smith Papyrus
The Edwin Smith Papyrus is an ancient Egyptian medical text, named after the dealer who bought it in 1862, and the oldest known surgical treatise on trauma. This document, which may have been a manual of military surgery, describes 48 cases of injuries, fractures, wounds, dislocations and tumors. It dates to Dynasties 16–17 of the Second Intermediate Period in ancient Egypt, 1600 BCE. The Edwin Smith papyrus is unique among the four principal medical papyri in existence
that survive today. While other papyri, such as the Ebers Papyrus and London Medical Papyrus, are medical texts based in magic, the Edwin Smith Papyrus presents a rational and scientific approach to medicine in ancient Egypt, in which medicine and magic do not conflict. Magic would be more prevalent had the cases of illness been mysterious, such as internal disease.
The Edwin Smith papyrus is a scroll 4.68 meters or 15.3 feet in length. The recto has 377 lines in 17 columns, while the verso has 92 lines in five columns. Aside from the fragmentary outer column of the scroll, the remainder of the papyrus is intact, although it was cut into one-column pages some time in the 20th century. It is written right-to-left in hieratic, the Egyptian cursive form of hieroglyphs, in black ink with explanatory glosses in red ink. The vast majority of the papyrus is concerned with trauma and surgery, with short sections on gynaecology and cosmetics on the verso. On the recto side, there are 48 cases of injury. Each case details the type of the injury, examination of the patient, diagnosis and prognosis, and treatment. The verso side consists of eight magic spells and five prescriptions. The spells of the verso side and two incidents in Case 8 and Case 9 are the exceptions to the practical nature of this medical text. Generic spells and incantations may have been used as a last resort in terminal cases.
Authorship
Authorship of the Edwin Smith Papyrus is debated. The majority of the papyrus was written by one scribe, with only small sections copied by a second scribe. The papyrus ends abruptly in the middle of a line, without any inclusion of an author. It is believed that the papyrus is an incomplete copy of an older reference manuscript from the Old Kingdom, evidenced by archaic grammar, terminology, form and commentary. James Henry Breasted speculates - but emphasises that this is pure conjecture based on no evidence - that the original author might be Imhotep, an architect, high priest, and physician of the Old Kingdom, 3000–2500 BCE.Procedure
The rational and practical nature of the papyrus is illustrated in 48 case histories, which are listed according to each organ. Presented cases are typical, not individual. The papyrus begins by addressing injuries to the head, and continues with treatments for injuries to neck, arms and torso, detailing injuries in descending anatomical order like a modern anatomical exposition. The title of each case details the nature of trauma, such as “Practices for a gaping wound in his head, which has penetrated to the bone and split the skull”. The objective examination process included visual and olfactory clues, palpation and taking of the pulse. Following the examination are the diagnosis and prognosis, where the physician judges the patient’s chances of survival and makes one of three diagnoses: “An ailment which I will treat,” “An ailment with which I will contend,” or “An ailment not to be treated”. Last, treatment options are offered. In many of the cases, explanations of trauma are included to provide further clarity.Among the treatments are closing wounds with sutures, bandaging, splints, poultices, preventing and curing infection with honey, and stopping bleeding with raw meat. Immobilization is advised for head and spinal cord injuries, as well as other lower body fractures. The papyrus also describes realistic anatomical, physiological and pathological observations. It contains the first known descriptions of the cranial structures, the meninges, the external surface of the brain, the cerebrospinal fluid, and the intracranial pulsations. The procedures of this papyrus demonstrate an Egyptian level of knowledge of medicines that surpassed that of Hippocrates, who lived 1000 years later. The influence of brain injuries on parts of the body is recognized, such as paralysis. The relationship between the location of a cranial injury and the side of the body affected is also recorded, while crushing injuries of vertebrae were noted to impair motor and sensory functions. Due to its practical nature and the types of trauma investigated, it is believed that the papyrus served as a textbook for the trauma that resulted from military battles.
History
The Edwin Smith Papyrus dates to Dynasties 16–17 of the Second Intermediate Period. Egypt was ruled from Thebes during this time and the papyrus is likely to have originated from there. Edwin Smith, an American Egyptologist, was born in Connecticut in 1822 – the same year Egyptian hieroglyphic writing was decoded. Smith purchased it in Luxor, Egypt in 1862, from an Egyptian dealer named Mustafa Agha.The papyrus was in the possession of Smith until his death, when his daughter donated the papyrus to New York Historical Society. There its importance was recognized by Caroline Ransom Williams, who wrote to James Henry Breasted in 1920 about “the medical papyrus of the Smith collection” in hopes that he could work on it. He completed the first translation of the papyrus in 1930, with the medical advice of Dr. Arno B Luckhardt. Breasted’s translation changed the understanding of the history of medicine. It demonstrates that Egyptian medical care was not limited to the magical modes of healing demonstrated in other Egyptian medical sources. Rational, scientific practices were used, constructed through observation and examination.
From 1938 through 1948, the papyrus was at the Brooklyn Museum. In 1948, the New York Historical Society and the Brooklyn Museum presented the papyrus to the New York Academy of Medicine, where it remains today.
From 2005 through 2006, the Edwin Smith Papyrus was on exhibition at the Metropolitan Museum of Art in New York. James P. Allen, curator of Egyptian Art at the museum, published a new translation of the work, coincident with the exhibition. This was the first complete English translation since Breasted’s in 1930. This translation offers a more modern understanding of hieratic and medicine.