Emil Cioran


Emil Cioran was a Romanian philosopher and essayist, who published works in both Romanian and French. His work has been noted for its pervasive philosophical pessimism, and frequently engages with issues of suffering, decay, and nihilism. Among his best-known works are On the Heights of Despair and The Trouble with Being Born. Cioran's first French book, A Short History of Decay, was awarded the prestigious Rivarol Prize in 1950. The Latin Quarter of Paris was his permanent residence and he lived much of his life in isolation with his partner Simone Boué.

Early life

Cioran was born in Resinár, Szeben County, Austria-Hungary. His father, Emilian Cioran, was an Orthodox priest. His mother, Elvira, was originally from Alsóvenice.
After focusing on Humanities at the Gheorghe Lazăr High School in Sibiu, Cioran, at age 17, entered the University of Bucharest, where he studied philosophy and immediately met Eugène Ionesco and Mircea Eliade, who became his friends. Future Romanian philosopher Constantin Noica and future Romanian thinker Petre Țuțea became his closest academic colleagues; all three studied under Tudor Vianu and Nae Ionescu. Cioran, Eliade, and Țuțea became supporters of Ionescu's ideas, known as :ro:Trăirism|Trăirism.
Cioran had a good command of German. His early studies revolved around Immanuel Kant, Arthur Schopenhauer, and especially Friedrich Nietzsche. He became an agnostic, taking as an axiom "the inconvenience of existence". While at the University, he was influenced by Georg Simmel, Ludwig Klages and Martin Heidegger, but also by the Russian philosopher Lev Shestov, whose contribution to Cioran's central system of thought was the belief that life is arbitrary. Cioran's graduation thesis was on Henri Bergson, whom he later rejected, claiming Bergson did not comprehend the tragedy of life.

Career

Berlin and Romania

In 1933, he received a scholarship to the University of Berlin, where he came into contact with Klages and Nicolai Hartmann. While in Berlin, he became interested in the policies of the Nazi regime, contributed a column to Vremea dealing with the topic, and, in a letter written to Petru Comarnescu, described himself as "a Hitlerist". He held similar views about Italian fascism, welcoming victories in the Second Italo-Abyssinian War, arguing that: "Fascism is a shock, without which Italy is a compromise comparable to today's Romania".
Cioran's first book, On the Heights of Despair, was published in Romania in 1934. It was awarded the Commission's Prize and the Young Writers Prize for one of the best books written by an unpublished young writer. Successively, The Book of Delusions, The Transfiguration of Romania, and Tears and Saints, were also published in Romania.
Although Cioran was never a member of the group, it was during this time in Romania that he began taking an interest in the ideas put forth by the Iron Guard—a far right organization whose nationalist ideology he supported until the early years of World War II, despite allegedly disapproving of their violent methods.
Cioran revised The Transfiguration of Romania heavily in its second edition released in the 1990s, eliminating numerous passages he considered extremist or "pretentious and stupid". In its original form, the book expressed sympathy for totalitarianism, a view which was also present in various articles Cioran wrote at the time, and which aimed to establish "urbanization and industrialization" as "the two obsessions of a rising people". Marta Petreu's An Infamous Past: E.M. Cioran and the Rise of Fascism in Romania, published in English in 2005, gives an in-depth analysis of The Transfiguration.
His early call for modernization was, however, hard to reconcile with the traditionalism of the Iron Guard. In 1934, he wrote, "I find that in Romania the sole fertile, creative, and invigorating nationalism can only be one which does not just dismiss tradition, but also denies and defeats it". Disapproval of what he viewed as specifically Romanian traits had been present in his works, which led to criticism from the far right Gândirea, as well as from various Iron Guard papers.

France

After returning from Berlin in 1936, Cioran taught philosophy at the Andrei Șaguna High School in Brașov for a year. In 1937, he left for Paris with a scholarship from the French Institute branch in Bucharest, which was then prolonged until 1944. After a short stay in his home country, Cioran never returned again. This last period in Romania was the one in which he exhibited a closer relationship with the Iron Guard, which by then had taken power. On 28 November, for the state-owned Romanian Radio, Cioran recorded a speech centered on the portrait of Corneliu Zelea Codreanu, former leader of the movement, praising him and the Guard for, among other things, "having given Romanians a purpose".
He later renounced not only his support for the Iron Guard, but also their nationalist ideas, and frequently expressed regret and repentance for his emotional implication in it. For example, in a 1972 interview, he condemned it as "a complex of movements; more than this, a demented sect and a party", saying, "I found out then what it means to be carried by the wave without the faintest trace of conviction. I am now immune to it".
Cioran started writing The Passionate Handbook in 1940 and finished it by 1945. It was the last book he wrote in Romanian, though not the last to deal with pessimism and misanthropy through delicate and lyrical aphorisms. Cioran published books only in French thereafter.
In 1949, his first French book, A Short History of Decay, was published by Gallimard and was awarded the Rivarol Prize in 1950. Cioran later refused every literary prize he was given.
The Latin Quarter of Paris became Cioran's permanent residence. He lived most of his life in isolation, avoiding the public, but still maintained contact with numerous friends, including Mircea Eliade, Eugène Ionesco, Paul Celan, Samuel Beckett, Henri Michaux and Fernando Savater.
Cioran died of Alzheimer's disease and is buried at the Montparnasse Cemetery.

Major themes and style

Professing a lack of interest in conventional philosophy in his early youth, Cioran dismissed abstract speculation in favor of personal reflection and passionate lyricism. "I invented nothing. I've been the one and only secretary of my own sensations", he later said.
Pessimism characterizes all of his works, which many critics trace back to events of his childhood. However, Cioran's pessimism remains both inexhaustible and, in its own particular manner, joyful; it is not the sort of pessimism which can be traced back to simple origins, single origins themselves being questionable. When Cioran's mother spoke to him of abortion, he confessed that it did not disturb him, but made an extraordinary impression which led to an insight about the nature of existence.
His works often depict an atmosphere of torment, a state that Cioran himself experienced, and came to be dominated by lyricism and, often, the expression of intense and even violent feeling. The books he wrote in Romanian especially display this latter characteristic. Preoccupied with the problems of death and suffering, he was attracted to the idea of suicide, believing it to be an idea that could help one go on living, an idea which he fully explored in On the Heights of Despair. He revisits suicide in depth in The New Gods, which contains a section of aphorisms devoted to the subject. The theme of human alienation, the most prominent existentialist theme, presented by Jean-Paul Sartre and Albert Camus, is thus formulated, in 1932, by young Cioran: "Is it possible that existence is our exile and nothingness our home?" in On the Heights of Despair.
Cioran's works encompass many other themes as well: original sin, the tragic sense of history, the end of civilization, the refusal of consolation through faith, the obsession with the absolute, life as an expression of man's metaphysical exile, etc. He was a thinker passionate about history; widely reading the writers that were associated with the "Decadent movement". One of these writers was Oswald Spengler who influenced Cioran's political philosophy in that he offered Gnostic reflections on the destiny of man and civilization. According to Cioran, as long as man has kept in touch with his origins and hasn't cut himself off from himself, he has resisted decadence. Today, he is on his way to his own destruction through self-objectification, impeccable production and reproduction, excess of self-analysis and transparency, and artificial triumph.
Regarding God, Cioran has noted that "without Bach, God would be a complete second rate figure" and that "Bach's music is the only argument proving the creation of the Universe cannot be regarded as a complete failure". In an interview he stated that Bach had been a "kind of religion" for him. He mentioned that Bach and Dostoyevsky were the two great obsessions of his life, but that while his passion for Dostoyevsky ended up diminishing somewhat, his obsession with Bach "remained intact".
William H. Gass called Cioran's work "a philosophical romance on the modern themes of alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease".
Cioran became most famous while writing not in Romanian but French, a language with which he had struggled since his youth. During Cioran's lifetime, Saint-John Perse called him "the greatest French writer to honor our language since the death of Paul Valéry." Cioran's tone and usage in his adopted language were seldom as harsh as in Romanian.

Legacy

After the death of Cioran's long-term companion, Simone Boué, a collection of Cioran's manuscripts were found in the couple's apartment by a manager who tried, in 2005, to auction them. A decision taken by the Court of Appeal of Paris stopped the commercial sale of the collection. However, in March 2011, the Court of Appeal ruled that the seller was the legitimate owner of the manuscripts. Amid the manuscripts, which were mainly drafts of works that had already been published, an unedited journal was found which encompassed his life after 1972. This document is probably Cioran's last unpublished work.
An aged Cioran is the main character in a play by Romanian dramatist-actor Matei Vișniec, Mansardă la Paris cu vedere spre moarte. The play, depicting an imaginary meeting between Vișniec and Emil Cioran, was first brought to the stage in 2007, under the direction of Radu Afrim and with a cast of Romanian and Luxembourgian actors; Cioran was played by Constantin Cojocaru. Stagings were organized in the Romanian city of Sibiu and in the Luxembourg, at Esch-sur-Alzette. In 2009, the Romanian Academy granted posthumous membership to Cioran.

Major works

Romanian

All of Cioran's major works in French have been translated into English by Richard Howard.