Festivali i Këngës

Origin

2004–present

Trivia

• In the early editions of Festivali i Këngës, each song would be interpreted two or three times by different singers. However, only one of the versions sung would be declared the winner.
• In 1980, it has been rumoured that the government intervened in the selection of the winner, giving the victory to "Shoqet tona ilegale" by Vaçe Zela instead of "Njerëzit e agimeve" by Alida Hisku. While the first is a song honoring undercover friendships among partisans during the time of the national liberation of Albania from Nazi forces, the latter makes strong references to intellectual awakening and enlightenment ideas, as evidenced by its lyrics: "The generations have long dreamed of an awakening like this, with the sun in their hearts, with the light in their eyes, among mornings of fire, new generations grow, they plant like the wheat, new days to come"; concepts deemed strongly in contrast with the philosophy of Enver Hoxha's dictatorship.
• In 1987, it was said that Kozma Dushi with the song "Lot me ty o djalë" was set to be declared the winner, however minutes before the jury made their decision, the wife of the country's ruler, Nexhmije Hoxha, declared that she did not want that song to win, so another song was chosen to win.
• In 1994, Mariza Ikonomi became the youngest singer to compete in the festival at the age of 12, in a duet with Françesk Radi and their song "Telefonatë zemrash".
• In 1995, the song "E Doni Dashurinë" by Luan Zhegu & Ledina Çelo was reported to be the most applauded song in Festivali i Këngës history to date, a total applause time of 7 minutes and 11 seconds.
• In 1997, Alma Bektashi had a wardrobe malfunction on stage when her dress fell off, revealing her breast. The cameras managed to avoid the incident, however the audience received a full view of the incident.
• In 1998 the first Kosovar-Albanian singer, Albërie Hadërgjonaj with the song "Mirësia dhe e vërteta", was declared the winner.
• In 1999, the song "Apokalipsi" by Irma & Eranda Libohova was initially declared the winner instead of Aurela Gaçe's "S'jam tribu" due to a miscalculation in jury votes.
• In 2016, hologram technology was used to bring back a performance by Vaçe Zela as a tribute, almost three years after the iconic singer's death.

  Scandals

• In 1963, Besnik Taraveshi was the first singer to be prosecuted by the Communist Dictatorship, ahead of many to come throughout the history of the festival. This was due to his interpretation and mispronunciation of a word in the song "Djaloshi dhe shiu".
• In 1964, head of the jury Llazar Siliqi decided that no first place will be awarded, due to the low quality of the songs. Instead, "Dritaren kërkoj" by Vaçe Zela was awarded second place, and two other songs awarded third place.
• In 1972, Enver Hozha deemed the organisers of Festivali i Këngës 11 "Enemies of The People", a name given to all the subjects who he considered a danger to the country. Unluckily, many of them were prosecuted after being accused of endangering the country's mentality by introducing an immoral aspect to the show, and plotting against the government by influencing the Albanian youth at the time. RTSH general director at the time Todi Lubonja, together with the festival's director Mihal Luarasi and singer Sherif Merdani were sentenced and would remain imprisoned for sixteen years until 1989, while many of the others involved were banned from working in television and/or were deported to remote Albanian cities. The claims were out of context and these punishments were used as an example and a statement for future organisers. There is a whole book dedicated to this event: Festivali i Njëmbëdhjetë, written by Skifter Këlliçi.
• In 1999, Irma & Eranda Libohova left the Palace of Congresses early, thinking that their song "Apokalipsi" would not win. The song was initially declared as the winner, although a miscalculation in the jury votes announced the following day by head juror Vaçe Zela, revealed that Aurela Gaçe's "S'jam tribu" had won instead.
• In 2003, singer Mariza Ikonomi, who was eager to represent Albania for the first time in the Eurovision Song Contest, left the venue in sign of protest when it was announced that her entry "Mbi urë" had ranked 2nd. She lost to Anjeza Shahini's "Imazhi Yt".
• In 2004, the producers of the song "Nesër shkoj" filed a lawsuit against Ledina Çelo because she had signed contracts with a phone company without previously consulting them. She was also accused of not attending the conferences set up the producers and that she had not rehearsed the song enough. The suit was dropped within the week that it was filed.
• In 2006, Greta Koçi was so disappointed from her 5th placing with the song "Eja zemër" that she burst out in tears, while her mother faced off the festival's 7 member jury with allegations of corruption and incompetence.
• In 2007, Blero dropped out of the competition, claiming that he was asked for a large amount of money in exchange of a victory by an anonymous caller. He also claimed that the first three positions were already decided by the organizers prior to the event. The jury and the festival administration replied in a press statement that it was Blero who had asked for the first prize by sending an SMS which stated that he would withdraw if his victory was not guaranteed.
• Also in 2007, Manjola Nallbani accused the festival authorities that they had sabotaged her song. Her voice was not heard at all in the hall, instead the public only heard the orchestra and the playback. This was confirmed by the general director of the festival Zamira Koleci. Nallbani declared that she would no longer participate in this event and called certain organizers :wikt:Mafioso|mafiosos.
• The 2007 edition also provoked a huge public reaction and massive press attention after the song "Jeta kërkon dashuri" by Flaka Krelani and Doruntina Disha placed second, prompting corruption accusations about the jury, namely Gjergj Xhuvani and Alban Skënderaj. These two judges did not give any points to this song, while four judges awarded it maximum points and Rudina Magjistari awarded it the second highest points. General Director Zamira Koleci in a press interview called the two judges "gangsters and racists" after their boycott of the song from the Kosovo Albanian singers. Edmond Zhulali, composer of the song and artistic director of FIK, submitted a request to the RTSH council for the jury's votes to be disqualified. The council however turned down this request after 2 hours of debate.
• In 2013, an alleged change in the contractual agreement between the festival and Kosovo model Diellza Kolgeci, the previously assigned female host for FIK 52, led to Diellza withdrawing from her hosting duties just days before the live show. She stated that the original terms of her contract included the costs of lodging and other amenities for her personal assistant, however the modified version did not include such expenses, citing a suspicious lack of funds in the festival's budget following a change of directors. The festival responded to the controversy by airing a satirical ad featuring male host Enkel Demi appearing upset at the news of Diellza's withdrawal, and three replacement female hosts, model Marinela Meta, Miss Albania 2011 Xhesika Berberi, and actress Klea Huta. The girls cheer him up by saying that they would be more than willing to co-host the show with him and that they can't wait for the rehearsals to begin. In response, Diellza utilized some prominent newspapers in Albania to state that it would be impossible to replace her, as well as to clarify that she would not be willing to compromise her values over one show. She said that if enough notice had been given to her about the changes in the contract, she could easily book 10,000 hotel rooms for her assistant through her large base of connections. She expressed respect for the festival's history however, despite her disagreements with the current staff. Meanwhile, Enkel appeared to have a humorous take on Diellza's high standards, saying that his diet had been affected by her presence, referring to her demands for lean meats covered in lemon juice.
• In 2014, the festival's organizers ran into some high-profile problems when it came to successfully booking their guest singer for their interval act. After Conchita Wurst's refusal earlier in December due to a busy schedule, Alexander Rybak, who initially accepted FIK's offer to perform, also pulled out at the last minute after his composed entry in the Belarusian national final failed to secure a victory. He stated that the combination of this disappointment, along with some misunderstandings with FIK's authorities, forced him to make this unusual cancellation. Reaction by fans was mixed, as some decried unprofessionalism, while others appeared more empathetic. FIK organizers ultimately relied on jury members Genc Dashi and Rona Nishliu to fill in for Rybak, as Dashi improvised on the guitar, while Nishliu paid tribute to Vaçe Zela, who had died earlier in February. It was also rumored that the opening act of the grand final, consisting of a well-liked violin reprise of past FIK entries, was the organizers' ironic response to Rybak's last-minute cancellation.
• In 2015, Edea Demaliaj's song "Era", composed by Adrian Hila and written by Pandi Laço, was disqualified by the festival's directors, despite being included in the initial list of competing entries. Hila expressed his discontent when interviewed on the TV show Oktapod, contesting the board's decision to disqualify his song simply because its lyrics were written by the host of FIK 54 Pandi Laço. Meanwhile, singer Edea Demaliaj dropped out of the competition after finding herself without a song. Her replacement was Orgesa Zaimi, whose entry had not qualified during the internal pre-selection stage.
• Also in 2015, Eneda Tarifa's victory reignited allegations of bias and corruption by the jury and the festival's organizers, as media and critics attributed Tarifa's win to her close friendship and joint business venture with FIK's current artistic director Elton Deda, rather than on her merit versus the competition. The jury's integrity had previously been questioned when 22 entries, rather than the planned 18, were qualified for the grand final, raising suspicions that certain singers had passed on to the final based on name recognition rather than song quality. Adding more to the scrutiny was the fact that, instead of revealing the full set of votes from every juror, the festival regressed to its old practice of mentioning only the top ranked songs in the final, circumventing any individual responsibility for potentially compromised jurors in the process. The controversial victory of Eneda Tarifa brought to the forefront an old spat that the singer had once had with Albanian LGBT rights defender Kristi Pinderi, when he had publicly challenged Tarifa's moral standards after she had lashed out against Conchita Wurst's triumph in Eurovision 2014. At the time, Tarifa had initially complained that music itself had been eclipsed by Conchita's win, but in a subsequent statement she elaborated that the Eurovision Song Contest was not spreading the correct set of values to its European audience, and that certain LGBT groups were lobbying for attention and exposure in this contest. Her fragmented reaction, along with her concerns on how to explain “Conchita” to her family, were dismissed by Pinderi as embellished homophobia on her part. In a heated media exchange, he challenged Tarifa's intellect along with her diploma in Social Works, while recalling an old interview as a journalist for his previous employer where he was left with the impression that “she was either not very smart, or she did not know how to properly articulate smart things”.
• In 2016, there was controversy over the festival's decision not to follow through with the announced 60% jury and 40% public voting ratio during the final. Instead, the public vote counted only for 1/13th of the final result. Under a 60/40 split, Lindita would have tied with Ylli Limani at 120 points, requiring tie-breaking procedures to determine the winner. It is worth noting that Lindita received votes from 11 jurors compared to Limani's 7, and received top scores from 5 jurors compared to Limani's 1. In addition, Lindita won the jury vote by scoring twice as much as Limani, while Limani won the public vote by scoring twice as much as Lindita. A 60/40 ratio would have required that the public vote be worth 8 times the vote of 1 member from the 12-member jury.
• Also in 2016, Ledina Çelo's see-through dress on the first semi final made waves throughout the Albanian media as criticism ensued due to the family-oriented nature of the festival's audience. Her hosting abilities were also heavily criticized. Journalist Dasara Karaiskaj, known for her pointed humor, lamented the situation by commenting that Çelo must have read the script “through her ass”.
• In 2017, singer Kastro Zizo claimed that his song was politically censored by RTSH due to its lyrics. RTSH stated that the decision was made by the preselection jury, which could qualify only 22 out of the 70 entries that were submitted, leaving no space for politics to play a role. After posting the lyrics in full, Kastro maintained that the lyrics were penalized for portraying the increase in migration that has come as a result of the policies of the current government, blaming RTSH bureaucrats for the occurrence. Former prime minister Sali Berisha also expressed his views, comparing the jury's decision to Hoxha's censorship over the festival during the 1970s. A few days later, singer Klajdi Musabelliu made a similar complaint, stating that he was shocked to learn that his migration-themed entry did not pass preselection. Since Musabelliu also works for an opposition party, his disqualification from the FIK semi finals quickly became politicized as well.

  Winners

Eurovision Song Contest