French comedy films


French comedy films are comedy films produced in France. Comedy is the most popular French genre in cinema.
Comic films began to appear in significant numbers during the era of silent films, roughly 1895 to 1930. The visual humour of many of these silent films relied on slapstick and burlesque.

Characteristics of French comedy films

French comedy films are very often social comedies, which differs largely from American comedies.

Social comedy

Culture shock, in several French comedies, oftentimes contain several 'clichés', which include:
Some French comedy films are based on buddy film, in which two people with highly differing personalities are partnered up.
From
the		DuosFilms
1950sLouis de Funès and BourvilPoisson d'avril, La Grande Vadrouille, Le Corniaud
1950sFernandel and Gino CerviDon Camillo film series
1960sLouis de Funès and Jean MaraisFantômas film series
1960sLouis de Funès and Michel GalabruLe Gendarme film series
1970sGérard Depardieu and Patrick DewaereLes Valseuses
1970sMichel Serrault and Ugo Tognazzila Cage aux folles film series
1980sDuos with François Pignon and François Perrincf. :fr:Francois Pignon|Francois Pignon
1980sPhilippe Noiret and Thierry LhermitteLes Ripoux film series
1990sJean Reno and Christian ClavierLes Visiteurs film series
1990sGérard Depardieu and Christian ClavierLes Anges gardiens
1990sSamy Naceri and Frédéric DiefenthalTaxi film series
2000sKad Merad and Dany BoonBienvenue chez les Ch'tis, Supercondriaque
2010sFrançois Cluzet and Omar SyThe Intouchables

Other characteristics

French comedy films are often based on linguistic differences:

History

French comedy before cinema

In Europe, the theatrical genre-like comedy developed in the Greco-Roman antiquity, much like the tragedy theaters built in the Roman Empire. During the Middle Ages, theater plays in the street, in the form of mystery plays, fabliaux, farces, soties and mimes were more or less inspired by antique survivals genres like Atellan.
In France during the 17th century under Louis XIV, the Italian influence and Molière began to recognize the comedy theater as an art in itself and not as a subgenre compared to the tragedy. From the 18th to the 19th century, comedy would continue to incorporate opera and comédie-ballet and become opéra comique. Comedy would also inspire the Operetta in the middle of the 19th century. At the beginning of the 20th century, operettas were transformed into musical theatre. Bourvil and Fernandel started as operetta singers while Louis de Funès started as a music-hall pianist.

Beginning of cinema

In 1892, before cinema was created, Émile Reynaud recognized several comedy cartoons, including Le Clown et ses chiens. Comic films began to appear in significant numbers during the era of silent films, placed from 1895 to 1930. The visual humour of many of these silent films relied on slapstick and burlesque. A very early comedy short was Watering the Gardener by the Lumière brothers. In his native France and throughout the world, Max Linder was a major comic feature and might qualify as the first true film star.
Georges Méliès, from theatre, created the first studio de cinéma. He also created many silent comedies. He had a homage in 2011 with the movie Hugo.
During the World War One, America obtained the monopoly of comedy movies with the 'silent film'
Only after sound was integrated into these performances that comedy films started being produced in France from the 1930s.

Interwar and Occupation

When the sound entered cinema in 1927, comedy films returned to popularity, due to dialogue now being available for usage.
As the majority of France lived in rural areas during the 1930s, most films took place in similar areas.

1940s to 1970s

After the Second World War, French society went under many changes during the 1940s to the 1970s, and thus it had a big impact on the comedies of this period. A number of French comedians were able to find an English speaking audience in this period, including Fernandel, Bourvil, Louis de Funès and Jacques Tati.

From the 1970s to 1990s

At the beginning of the 1970s, new actors from the baby-boomer generation starred in comedy films. Some examples would be Gérard Depardieu, the Splendid troupe, Daniel Auteuil, Daniel Prévost, and Coluche.

Le Splendid

The 1970s to 1990s corresponded to the golden age of comedies created and played by le Splendid which have been very famous in the theatre industry.

1970s to 1980s

Comedies from the era tackled new social phenomena and were meant to provoke or shock audiences.
Provocation is present in multiple films, such as Going Places, La Grande Bouffe, Les Babas Cool, and Menage. In Santa Claus is a bastard, Santa Claus is highly violent and vulgar, and brandishes a gun.

1980s to the 2000s

A new introduction of Francis Veber's concept arose during this period. 'Francois Pignon' and 'Francois Perrin' symbolized the stupider and more naive man triumphing over the smarter and "stronger" man due to luck.

The 2000s to present

The 2000s correspond to a transition: indeed, the Splendid troupe generation of the 1970s tends to give over to newcomers who have become famous with 'one man shows'.