Jacqueline Lisa Berger is an American poet and director of the graduate English program at Notre Dame de Namur University in California. She is the author of three books of narrative poetry: The Mythologies of Danger, Things That Burn, and The Gift That Arrives Broken. Her work is concerned with the themes of desire and loss.
Her poetry has been published in two anthologies of American literature: "Grandfather" was included in On the Verge: Emerging Poets and Artists ; "Getting to Know Her", "The Gun", and "Between Worlds" were published in American Poetry: The Next Generation. Berger's poems have also appeared in Poetry Flash, Rhino Poetry and River Styx Magazine. Her first book of poetry, The Mythologies of Danger, won the Bluestem Poetry Award and the Bay Area Book Reviewers Association Award. American authorAlberto Ríos, the final judge at the Bluestem competition, described Mythologies of Danger as "poems of immediate human energy and willful edge...Always bold but always thoughtful too...a smart, compelling move into the speaker's world of charged moments, sparks, which here are always dangerous and ingenuously engaging." Things That Burn, her second book of poetry, was awarded the 2004 Agha Shahid Ali Prize in Poetry by Mark Strand, United States Poet Laureate. It was published by the University of Utah Press. In Things That Burn, Berger uses narrative poetry to explore the ambient nature of feeling: "I want to use both story and language to enter the place where experience is atmospheric—the blue or red smoke of the soul, if you will." Her third book, The Gift That Arrives Broken, won the Autumn House Poetry Award. The title originates from a deleted line in a poem that reflected a new closeness with her family at a time when her mother and father were both ill.
Style
Berger is an advocate of the free writing technique for generating initial ideas in a notebook followed later by a separate, secondary process of using the computer to shape and refine the poem. She believes that the writing process is similar to the dream experience that occurs during sleep. For Berger, the writer doesn't consciously choose a topic to write about in as much as the material simply comes when the time is right:
"We don't go to bed at night with an idea of what we're going to dream about. It's a very strange and mysterious and unconscious process...you have weird dreams that appear out of left field and we don't control it. I really do think that writing is much the same. I generate all my material through free writing, which is pouring things out in a notebook. And I just don't know what's going to pop-out."