Jeremy O. Harris is an American actor and playwright, known for his plays “Daddy” and . He was the winner of the 2018 Paula Vogel Playwriting Award, given by the Vineyard Theatre in New York City. A profile in the New York Times said that Harris's "ability to render subconscious trauma into provocative theatrical expression, as potentially unsettling as entertaining, has earned him a lot of attention in a very short time." Out called him "The queer black savior the theater world needs."
He took a role in the play Jon at the Steppenwolf Theatre Company. He worked as an actor in Chicago, then moved to Los Angeles to further his career. There he began a collaboration with musician Isabella Summers that resulted in the play Xander Xyst, Dragon 1; the play was produced at ANT Fest 2017 in New York. He had a residency at the MacDowell Colony, where he wrote the play “Daddy”, in which a young black artist becomes involved with an older European art collector. “Daddy” served as Harris's writing sample when he applied to the Yale School of Drama, where he began studies in the fall of 2016. While still at Yale, Harris wrote Slave Play. It was produced at Yale in October 2017, and won the Lorraine Hansberry Playwriting Award and the Rosa Parks Playwriting Award at the 2018 American College Theater Festival. It was then produced off-Broadway at the New York Theatre Workshop under the direction of Robert O'Hara in 2018, Harris's first professional production as playwright. The play addresses sexuality and racial traumain America. It begins with interracial sexual violence on a slave plantation in the American South and continues in present-day America at a sex therapy retreat for interracial couples. The couples include black participants who are no longer able to receive pleasure from their white partners. The white partners have a blind-spot about the role that race plays in their relationships. Critic Jesse Green summarized the play's message, saying "that one race lives with history each day while another pretends not to." Though critically acclaimed, the play drew ire from those who found the play's content disrespectful of African-American's history. In 2018, Harris was awarded the Paula Vogel Playwriting Award, which includes a residency at the off-Broadway Vineyard Theatre. In 2019, The New Group and the Vineyard Theatre co-produced a revised version of Harris's earlier play, “Daddy”, starring Alan Cumming. Reviewer Christian Lewis called the play "a bold, experimental, political, and important work of theater that will not soon be forgotten." New York Times reviewer Ben Brantley noted some excellent performances, but found the dialogue "endless and circular and repetitive" and the play too "cerebral." In June 2019, to mark the 50th anniversary of the Stonewall riots, sparking the start of the modern LGBT rights movement, Queertynamed him one of the Pride50 “trailblazing individuals who actively ensure society remains moving towards equality, acceptance and dignity for all queer people.” In November 2019, an experimental work entitled Black Exhibition, credited under the pseudonym @GaryXXXFisher, debuted at the Brooklyn theater Bushwick Starr. Using Ntozake Shange's term choreopoem to describe its structure, Harris combines language and movement in a work that centers on five characters: San Francisco writer Gary Fisher, Kathy Acker, Yukio Mishima, Samuel R. Delany, and Missouri college athlete Michael L. Johnson. Harris is a co-author on the screenplay for the forthcoming film Zola, directed by Janicza Bravo. The film follows a road trip that results in sex-trafficking, and is based on a real-life Twitter thread. He also still acts. In early 2020, Harris signed a deal with HBO, and is developing a pilot as well as becoming a co-producer for season 2 of Euphoria, after consulting on the first season.
Personal life
Harris is Black and gay. Interviews frequently mention Harris's physical appearance, including his stature, and what GQ called his "dandyish style."
