John Law is a British jazz pianist and composer, born in London to British and Austrian parents.
Biography
He started classical piano at the age of four, playing in public at the age of six. With early encouragement from the Austrian concert pianist Alfred Brendel he was awarded a scholarship to study piano and composition at the Royal Academy of Music where he studied from 1979–1983, winning prizes for piano playing. After being awarded an Austrian government scholarship to study with the Viennese pianist Paul Badura-Skoda he studied for a year in Vienna at the Hochschule für Musik und darstellende Kunst, Wien. It was in Vienna that he first came across jazz and decided to pursue a career in this field, hoping to combine his love of the piano and performing with his interest in composition. After some initial studies with Simon Purcell his early interest lay in freely improvised music. He performed with Evan Parker, Louis Moholo and Barry Guy, among others. In 1990 he began a long-term musical relationship with the saxophonist and composer Jon Lloyd, recording with Lloyd's quartet his first CD, Syzygy, for the Leo Records label. More recently Law appeared on Jon Lloyd's Vanishing Points. Later John Law was to turn back to an exploration of his classical roots with a four-CD solo piano set entitled Chants, which was a series of compositions/improvisations based on early music and plainchant. Later still John turned towards a more recognisably contemporary jazz area, working with Tim Garland, Tim Wells, Dave Wickins, Steve Watts, Martin Speake, Paul Clarvis, Julian Siegel, Julian Nicholas and others, though his work has continued to include references to classical music, freely improvised music and the avant garde. Since 2005 Law has been most widely known for his project The Art of Sound. Playing almost exclusively Law's original, sometimes complex, sometimes extremely melodic, compositions, the trio, with Asaf Sirkis on drums and Sam Burgess on bass, recorded two highly successful albums: The Art of Sound, Volume 1 and Congregation, The Art of Sound Volume 4. Of The Art of Sound Vol 1, John Fordham in The Guardian wrote "As well as being a formidable thematic improviser, whose phrasing constantly opens up new twists, Law writes beautiful romantic ballads" and awarded 4 stars. Later Law worked with other bass players, including Yuri Goloubev, Calum Gourlay and Tom Farmer. Known for incorporating subtle effects into the piano and bass sound and for the addition to the drum kit of glockenspiel, hang and other sounds, the trio became known as much for the wide palette of sound colours, within a conventional jazz piano trio, as for the instrumental virtuosity of the individual players and the intricate, intense atmosphere of Law's compositions. In All About Jazz Jakob Baekgaard wrote "Three Leaps of the Gazelle finds Law and his cohorts at the top of their game. It would be hard to find a more innovative and sympathetic trio working in jazz today." He awarded 5 stars. The same reviewer awarded 5 stars for John Law/Mark Pringle This Is. Jazzwise wrote " pianist with an international reputation, unleashes an unstoppable flow of ideas with whatever band he puts together, constantly trying new things." The name of the trio, as well as the series of four CDs, was taken from the name of the Italian studio where the recordings were all made: Artesuono in Udine, Italy. Law also performs solo piano concerts. Volumes 2 and 3 in the Art of Sound series were both solo piano albums. He also occasionally performs in a two piano project with the UK pianist Jason Rebello. In 2001 Law's recording Abacus, featuring the American drummer Gerry Hemingway was awarded a prize, a Choc, as one of the best CDs of the year, by the French jazz magazine Jazzman. In 2005 Law was awarded a distinction at classical piano diploma level, gaining dipABRSM. Law has also composed for, toured and recorded a large suite for large ensemble, Out of the Darkness, with Andy Sheppard and members of the London Sinfonietta. At the Purcell Room in London, John Fordham described Out of the Darkness as "an ambitious piece combining rich and slowly transforming harmonic movements, sudden clustered ensemble sprints, and systems-music overlays of phrasing deploying bassoon, brass and strings lines against the jazz instruments... A rich and completely distinctive contemporary music programme." He has performed at over 50 festivals worldwide and made over 30 recordings.
