John David Yeadon is a British artist, and art educator. A practicing artist for over 50 years, he explored issues of politics, sexuality, food, national identity, the grotesque and carnival. In the 1980s his work was provocative with issues relating to male sexuality. An eclectic artist essentially a painter and printmaker, his work has included text, digital images, photography, and he has worked on banner making, theatre design and has collaborated with video artists. Yeadon's grandmother was the ventriloquist Annie Howarth, who worked under the stage name Josephine Langley. Recurring themes in his paintings since 2010 include his mother and grandmother’s ventriloquist dummies Yeadon's 1984 exhibition Dirty Tricks at the Herbert Art Gallery and Museum in Coventry, was at the high point of AIDS paranoia and gay ‘blame’, Yeadon’s forthright, radical, critical, ‘in your face’ paintings challenged preconceptions on sexuality and society. These paradoxes disturbed and offended some Tory councillors. The Coventry Evening Telegraph declared that it was 'Smut Not Art' in a homophobic editorial rant. However the exhibition increased the attendance at the Herbert by 40%. Works from this exhibition were later that year exhibited at the Pentonville Gallery in London and the British Art Show of 1985. The Arts Council of Britain also bought a version of ‘The Last Chilean Supper’ one of the ‘lavatory wall smut’ paintings so derided in the Coventry Evening Telegraph. With over 30 one person shows he has exhibited throughout Britain and abroad, including in Portugal and Germany, and his one person shows in Britain including the Royal Festival Hall, Centre for Contemporary Art, Glasgow and Ikon, Birmingham. His group shows included the British Art Show and exhibitions in Germany, Holland, Portugal and Hong Kong. He set up the Coventry-Dresden Arts Exchange in 2012.
Fat
Again, Yeadon was criticised by the local media for including tiny images of obese people culled from the Internet in his exhibition on food; these pictures were censored. Fat: The mortality of the eater and the eaten at the Bath Place Community Venture in Leamington Spa in 2010.
Harwell computer
Yeadon's 9x7ft painting of the Harwell Dekatron WITCH computer, Portrait of a Dead Witch made in 1983, was exhibited at the 1984 at Leicestershire Schools and Colleges show, and subsequently purchased by Leicestershire Local Education Authority and loaned to a local authority school, Newbridge High School, Coalville. Within two years of that school becoming a private academy school, the painting was sold at auction in 2015 to an undisclosed private buyer. The National Museum of Computing helped discover the painting on the wall of the Jam Street Cafe Bar in Manchester. Kaldip Bhamber, who has a fine arts degree was unaware of the painting provenance when she purchased it, she wanted something large and colourful to fill a wall in her new enterprise, John Yeadon has visited the painting at its new location. The painting was a witty subversive irony on 'computer art'. That is a painting of a computer posing as 'computer art'. Now the survival story of the painting and the computer seem to parallel each other and the painting has become an affectionate tribute to this iconic early world famous computer. After 35 years Yeadon has now painted the Live Witch a second version of this computer, for the 5th anniversary of the rebooted computer which pays homage to this national treasure now residing at The National Museum of Computing, Bletchley Park. So no longer dead! In February 2018 the two paintings were brought together for an exhibition on Yeadon's 70th birthday at The NationalMuseum of Computing.
