Katherine Shannon Collins is a Canadian-born cartoonist, writer, media personality, stage performer, and composer.
Biography
Early works
In 1965, Collins, then known as Arn Saba, began the University of British Columbia on a creative writing scholarship, but devoted almost all her time while at UBC to the campus twice-weekly paper, The Ubyssey, where she created her first comic strip, Moralman, and also wrote and illustrated articles. In 1977, she moved to Toronto, to try for success in a larger arena. She immediately began appearing on, and eventually producing, segments of the popular national CBC Radio programMorningside, where she usually paired with host Don Harron for free-wheeling discussions of favourite old comic strips and other pop culture. She also wrote, produced and acted in scores of comedy skits. Collins made similar appearances on CBC Television, on the Don McLean show. In her appearances Saba demonstrated, with humor, her enthusiasm and knowledge of cartooning, comics history, theatre and music. In 1979, she wrote and produced a five-part radio documentary on CBC, The Continuous Art, exploring the cultural position of comics. It featured interviews with some of cartooning's greatest names, including Milton Caniff, Hal Foster, Floyd Gottfredson, Hugo Pratt, Will Eisner, Jules Feiffer, and Russ Manning. Collins spent several years in late 1970s and early 1980s travelling throughout North America, interviewing famous cartoonists, many of them at that point quite old. In 1982, Collins moved to California, ceasing all other media activity in favour of cartooning.
Collins' most famous creation is Neil the Horse. The series ran in Canadian newspapers from 1975-1982 via the Great Lakes Publishing syndicate located in Toronto. It subsequently appeared in fifteen comic book issues from 1983–1988, published by Aardvark-Vanaheim/Renegade Press. With a drawing style based in Disney comics, as well as in early-20th Century Sunday pages, Collins added something new to comics: music. The motto for the series was "Making the World Safe for Musical Comedy," and many issues of the comic book feature the characters singing and dancing. When the characters are shown hoofing it, it is to original choreography. Collins had a vaudevillian approach, changing the format of the comics several times within each issue. This variety act included the comic strip, comic book stories, illustrated stories, originally composed sheet music, crossword puzzles, joke pages and more. In the letters columns, the characters themselves "answered" the mail. To top it off, there were paper dolls and fashion pages, in the tradition of Katy Keene. Neil the Horse was like a modern version of early twentieth-century hardbound children's annuals using an endless variety of formats, something rarely seen in comics. Collins also completed a graphic-novel-length Neil the Horse adventure, and an illustrated Neil children's book that have yet to be published. The final issue of the comic book series demonstrate her prolonged and elaborate efforts to pitch Neil as an animated series. From 1998-93, the "property" was optioned three times by Hollywood studios and networks, but was never produced. Collins's business partner for these attempts was John Gertz, president of Zorro Productions of Berkeley, California. In 1982 Collins wrote a two-and-a-half hour radio musical called Neil and the Big Banana that was twice broadcast in five episodes, in Canada on CBC Radio. Collins wrote the book, music and lyrics, and played the part of Neil. The play was unanimously reviewed with raves across the country, but subsequent efforts to mount later musical-comedy projects were unsuccessful.
