Kenneth Halliwell


Kenneth Leith Halliwell was a British actor, writer and collagist. He was the mentor, boyfriend and murderer of playwright Joe Orton.

Childhood

Halliwell was born in Bebington. He was very close to his mother; when he was 11, he witnessed her death from a wasp sting at the family home.
Halliwell was a classics scholar at Wirral Grammar School, where he gained his Higher School Certificate in 1943. Eligible for military service in 1944, he registered as a conscientious objector, and was exempted conditional upon becoming a coal miner. After discharge in 1946, he acted for a time in Scotland and then returned home to act in Birkenhead. His father committed suicide in 1949 by putting his head in a gas oven; Halliwell was the first to find the body the following morning. Afterward, Halliwell moved to London to study drama at the Royal Academy of Dramatic Art, having inherited the family fortune.

Relationship with Orton

In 1951, he met Joe Orton, a fellow RADA student. Both men were struggling actors who became struggling writers. However, their common interests led to a lengthy romantic relationship. Halliwell, in the early years, seems to have been something of a mentor to Orton, who had had a rather cursory education, and helped to mould the writing style that would later be called "Ortonesque". The two men collaborated on several novels, including The Boy Hairdresser, which were not published until after their deaths.
From January 1959, Orton and Halliwell were involved in the theft and defacement of public library books. Halliwell became an illicit collage artist, while Orton wrote the fake blurbs for the flyleaf of the dust jackets. After their trial in 1962 the two men were given custodial sentences, Halliwell was sent to HM Prison Ford in Sussex for six months; Orton went to Eastchurch in Kent.
Orton's eventual success as a writer, which began not long after their release from prison, put a distance between the two men that Halliwell found difficult to handle. Towards the end of his life, Halliwell was on regular courses of anti-depressants.

Murder-suicide

On 9 August 1967 Halliwell fatally injured Orton with nine hammer blows to the head and then overdosed on pentobarbital sleeping pills. Halliwell died first. Their bodies were discovered late the following morning, when a chauffeur arrived at the door of their Noel Road flat in Islington to collect Orton for a meeting with director Richard Lester to discuss filming options on Up Against It, an unproduced script by Orton, written in 1967 for The Beatles.
Halliwell's suicide note referred to the contents of Orton's diary as an explanation for his actions:

If you read his diary, all will be explained. KH PS: Especially the latter part.

This is presumed to be a reference to Orton's description of his promiscuity; the diary contains numerous incidents of cottaging in public lavatories and other casual sexual encounters.

In popular culture

In Prick Up Your Ears, the 1987 film based on Orton's life, Halliwell was portrayed by Alfred Molina.
In , the 2006 television play about Kenneth Williams, he was portrayed by Ewan Bailey.
British experimental music group Coil recorded three tracks titled "The Halliwell Hammers" for their 1995 album Worship the Glitch. The two primary members of Coil, John Balance and Peter Christopherson, were romantic partners through most of the band's existence, and much of their work was inspired by or dedicated to gay icons and personalities of the past.
Halliwell is the subject of a monologue, Especially The Latter Part, by Richard Ely. It was premiered in Lichfield in 2009.
The stage version of Prick Up Your Ears, written by Simon Bent, opened on the West End in London at the Royal Theatre on 17 September 2009. Matt Lucas played Halliwell and Chris New played Orton. Con O'Neill took over the role of Halliwell after Lucas pulled out. The play closed on 15 November 2009.
In 2014, a collage by Halliwell was purchased by Islington Museum at auction for £2,800. In 2016 the same museum purchased at auction The Cat Screen, a four-panel described as “an important part of 1960s cultural history as well as an engaging piece of art work”, for £8,000.

Works