Made in Paris
Made in Paris is a 1966 American romantic comedy film starring Louis Jourdan, Ann-Margret, Richard Crenna, Edie Adams and Chad Everett. The film was written by Stanley Roberts and directed by Boris Sagal.
Plot
A redheaded American girl from New York finds herself in a love triangle in Paris. Maggie Scott works as an assistant buyer for Irene Chase. Irene is a fashion buyer for Barclay Ames, an upscale clothing store in New York owned by Roger Barclay.Ted Barclay, the son of Roger Barclay, takes a special interest in Maggie. After taking her on a date, he finds that her morals are different from the multitude of his previous women. This bachelor doesn’t seem to mind a good chase.
Irene sends Maggie to Paris as her representative for the annual fashion shows of the major European fashion designers, such as Marc Fontaine, Dior, and Balenciaga. The most important show is Marc Fontaine because Barclay Ames is the only store in New York that handles Fontaine gowns, and Maggie must keep that rapport between the two companies on her trip. Worried for Maggie’s safety, Ted calls his Paris-based columnist friend, Herb Stone, to look after her in Paris.
Maggie’s arrival in Paris is paired with a warning from Herb Stone that she may lose all of her inhibitions, which she quickly denies could happen. Marc Fontaine, the handsome French designer, had a relationship with Irene. It doesn’t take long for the Parisian scenery to play with Maggie’s emotions, leading her into the arms of Mr. Fontaine. Herb Stone completes the love triangle by pursuing Maggie as well. His version of a good time doesn’t involve the exciting dance club Maggie dances in for Mr. Fontaine. He would rather settle down in the bedroom.
Ted Barclay decides to fly to Paris to win Maggie’s heart once and for all.
Cast
- Ann-Margret as Maggie Scott
- Louis Jourdan as Marc Fontaine
- Richard Crenna as Herb Stone
- Edie Adams as Irene Chase
- Chad Everett as Ted Barclay
- John McGiver as Roger Barclay
- Marcel Dalio as Georges
- Matilda Calnan as Cecile
- Jacqueline Beer as Denise Marton
- Marcel Hillaire as Attendant
- Michele Montau as Elise
- Reta Shaw as American Bar Singer
- Count Basie as Himself
- Count Basie Orchestra as Themselves
- Mongo Santamaría as Himself
- Majel Barrett as Mrs. David Prentiss
Production
Development
MGM announced the film was part of their line up in February 1964. Doris Day was meant to star but she did not like the script. So Ann-Margret was signed instead.Bob Crane, who had just shot the pilot for Hogan's Heroes, was offered the male lead, as a newspaperman. This part ended up being played by Richard Crenna.
Richard Chamerblain was offered the role of the department store buyer but he dropped out after he read the script. This was played by MGM contractee Chad Everett.
Louis Jourdan signed to play the male lead. There was a report he pulled out when he discovered his character did not get the girl in the end.
Filming took place on the MGM backlot.
Fashion
The costumes worn by Edie Adams, Ann-Margret and the fashion models were created by costumer designer Helen Rose.Edie Adams wears a form-fitting, black-velvet, beaded gown that flares out at the knee with a satin skirt covered in coque feathers. Her matching cape is made of black-crepe chiffon featuring beading and three rows of coque feathers.
Ann-Margret’s arrival in Paris costume is a blue-beige coat completely lined with fox fur and worn over a sheath.
The Fontaine fashion show starts at 42 minutes into the movie featuring Helen Rose designs.
‘Golden Avalanche’
Three-piece ski suit of golden-yellow, stretch, jersey, slim pants, and the fingertip jacket is lined with silver grey Persian lamb, and a hooded sweater of Persian lamb.
‘Swirling Amethysts’
Three hundred yards of pleated silk chiffon, the high rise neckline and low back bodice is of amethysts, rubies, gold, and diamonds.
Ann-Margret’s ‘After-Five Costume’
Carl velvet coat embroidered and banded with sables.
Hair styling was done by Sydney Guilaroff.
Music
- "Lottie" – Count Basie Orchestra
- "Skol Sister" – Count Basie Orchestra
Quotes
- Ted: “Ms. Scott, are you bucking for sainthood?”
- Maggie: “No, no I’m just an average American girl. I have the foolish idea that I’d like to settle down in the suburbs with a man I love and have children, and maybe even have a station wagon, and two of those large dogs with hair in front of their eyes. I'm sure you think that's square Mr. Barclay.”
- Herb Stone: “Any American girl today has two completely different sets of morals. Back in the States, a girl, like Maggie, watches every step but she has her mind on just one thing, a wedding ring. Well, here in Paris, she has no chance of getting married so she lets her hair down. She does all the things she's always wanted to do. Plus, a few things that uh, she never thought of.”
- Mark Fontaine: “Do you know what you really want, Maggie? You want a thrilling evening of 'almost'. Yes, almost romance, almost love, almost sex. Maggie, I told you Paris would give you whatever you were looking for. You've got it. And you've put me in the position of a guide. Very well, very well, I hope I’ve given you proper service, Miss Scott. Now that we've shown you our best imitation of romance, what would you like to see next? The Eiffel Tower? The Arch of Triumph? Oh, I know the wax museum. Sex, lust, passion, but not real, not real, Miss Scott. Just the way you like it. Fake, all in one.”
Reception
Critical response
MGM was so impressed with Crenna's performance, it signed him to a three-picture deal.The Los Angeles Times wrote that the film "was just not in the game class as Gigi" although Ann-Margret "gave her all."
Film critic Bosley Crowther of The New York Times wrote in his review: "... the styles of his chignon creations are still pretty much the same as they were in the days when he was piling impossible tresses on fabulous stars. Likewise, the contents of this picture, which came to neighborhood theaters yesterday, fall into a pattern not dissimilar to that of movies made 30 years ago."
The staff at Variety wrote in their review: "Stanley Roberts’ dull script, strongly reminiscent of yesteryear Doris Day-Rock Hudson-Cary Grant plots, finds fashion buyer Ann-Margret rushed to Paris from the lecherous arms of her employer’s son."