Manitoba Chamber Orchestra


The Manitoba Chamber Orchestra is a chamber orchestra based in Winnipeg, Manitoba, Canada. It offers an annual subscription series at Westminster United Church, which regularly features the world's leading soloists, from James Ehnes to Marc-André Hamelin. Other core MCO activities include recording, touring, and engaging extensive outreach in remote communities in northern Manitoba. Currently, Anne Manson serves as the MCO's Music Director and Vicki Young serves as its Managing Director.

History

The Manitoba Chamber Orchestra was founded in 1972 by Ruben Gurevich. Gurevich served as music director and principal conductor until 1981. After a season of guest conductors, English conductor Simon Streatfeild, a founding member of the prestigious London-based chamber orchestra, the Academy of St. Martin in the Fields, was appointed music director and principal conductor in 1982. He was succeeded by another English conductor, Roy Goodman, and then by Anne Manson, who began her tenure in 2008.
In 1984, the MCO assumed the then recently disbanded CBC Winnipeg Orchestra's Candlelight Concerts series, which was broadcast nationally on CBC radio. Canadians across the country and fans around the world continue to enjoy the orchestra online and in frequent broadcasts of its recordings.
In 1988, the orchestra represented Manitoba at the Winter Olympics in Calgary, Alberta. The MCO toured southern Italy in August 1999, and British Columbia twice: in the spring of 2003, and in the autumn of 2009 together with the celebrated percussion soloist, Dame Evelyn Glennie. The MCO toured with Glennie a second time in the fall of 2016, with stops in Ontario and Quebec.
The MCO accompanied k.d. lang in her performance of Leonard Cohen’s "Hallelujah" at the Juno Awards in April 2005. In the summer of 2008, it made its debut appearance at the National Arts Centre in Ottawa. In the autumn of 2008, the orchestra accompanied the Armenian/Canadian soprano Isabel Bayrakdarian on a tour to San Francisco and Orange County, Vancouver, Toronto, Boston, and New York, which culminated in a concert at Carnegie Hall.
Among the many soloists and ensembles who have appeared with the MCO, or under its auspices, are James Ehnes, Jan Lisiecki, Tracy Dahl, Measha Brueggergosman, Andriana Chuchman, Dame Evelyn Glennie, Marc-André Hamelin, Janina Fialkowska, Angela Hewitt, André Laplante, Liona Boyd, Jon Kimura Parker, Emma Kirkby, Zara Nelsova, Yannick Nézet-Séguin, the Winnipeg Singers, the University Singers, the Winnipeg Philharmonic Choir, and local high school choirs. The orchestra also presents regular concerts of small ensemble works, involving either local musicians or such international ensembles as the Borodin, Guarneri, and Tokyo String Quartets, and the Beaux Arts Trio.
Under founding music director and conductor, Ruben Gurevich, the orchestra established its ongoing practice of presenting many contemporary works, including over 100 Winnipeg premieres in its first five seasons. At the biennial meeting of the Association of Canadian Orchestras in 1990, the MCO was presented with a SOCAN Award of Merit for ‘the imaginative programming of contemporary Canadian music.’
The orchestra's repertoire ranges from the baroque to the contemporary. Among the composers the MCO has commissioned are Christos Hatzis, Jim Hiscott, Serouj Kradjian, Harry Freedman, Jocelyn Morlock, Michael Matthews, Luke Nickel, Heidi Ouellette, John Estacio, Randolph Peters, Glenn Buhr, Andrew Balfour, Stewart Goodyear, Michael Oesterle, Jeffrey Ryan, Dorothy Chang, Heather Schmidt, Karen Sunabacka, Sid Robinovitch, Alan Heard, Alexina Louie, Robert Turner, Gary Kulesha, Stephen Chatman, Donald Steven, Mark Hand, Norman Sherman, and Chan Ka Nin, and Malcolm Forsyth, who called the MCO's premiere of his cantata Evangeline "one of the supreme moments of my life as an artist, and one I am sure will continue to be so for the rest of my life."
In January 2018, the MCO presented the Canadian premiere of Philip Glass's third piano concerto. It was performed with American pianist Simone Dinnerstein, and co-commissioned as the inaugural installment in the MCO's three-year New Concerto Project.
In 1995, the MCO released its first compact disc, on Sweden's BIS label. Canadian Music for Chamber Orchestra marked the first recording by a North American orchestra for the prestigious company. It was distributed in more than 45 countries. There have been eight subsequent CDs, four of them with CBC Records. A new disc recorded with Dame Evelyn Glennie, is scheduled to be released in 2017.
The orchestra has received three nominations for Juno Awards: in 1999 for A Britten Serenade; and in 2005 for So much to tell, which has sold nearly 10 thousand copies, and in 2013 for Troubadour and the Nightingale.
In June 2017, the MCO premiered Nanabush and the drum / Nanabozho et le tambour, a theatrical collaboration with Théâtre Cercle Molière. The bilingual work is based on new music by Michael Oesterle and a script by Rhéal Cenerini, and explores the relationship between a French coureur de bois, a First Nations woman, and Nanabush, the Anishinaabe trickster figure.
In October 2019, the MCO were named Classical Artist / Ensemble of the Year at the Western Canadian Music Awards.
Concertmasters have been Arthur Polson, 1972-1987; Gwen Hoebig, 1987-1990; Victor Costanzi, 1990-1991; Claude Richard, 1991-1992; David Stewart, 1992-1999; and Karl Stobbe, 1999 to present. Rita Menzies became the orchestra's general manager in 1979, and was succeeded by Vicki Young in 2003.

Education and outreach

Over the past two decades, the MCO has expanded its core activities to include a variety of outreach and education programs. Among them are Fiddlers on the Loose, which sends six musicians to remote communities in northern Manitoba every year to deliver workshops and concerts; regular performances at Stony Mountain Penitentiary; the MCO's participation in Artists in Healthcare, which sees MCO-affiliated musicians performing in hospitals throughout Winnipeg, Manitoba; the creation of student concerts and educational listening guides; and donating of concert tickets to underserved communities.

Music directors