It is the oldest concert hall building in Berlin. The building was built on behalf of the Sing-Akademie zu Berlin, which was founded by Carl Friedrich Christian Fasch in 1791. In the years between 1825 and 1827, under its former director Carl Friedrich Zelter, he set up his own concert hall and his own home. Design and execution were done by junior architect Carl Theodor Ottmer, using plans of the architect Karl Friedrich Schinkel in the classical style. Between 1827 and 1828, Alexander von Humboldt gave his Cosmos lectures here. On March 11, 1829, the first performance of a revival of St Matthew Passion by JS Bach performed by the Sing Academy under the direction of Felix Mendelssohn. In the summer of 1848, the building was used as the venue of the Prussian National Assembly. During the Second World War, the building was badly damaged stopping performances of Sing-Akademie. After that, the Soviet occupying forces confiscated the building and used it in 1947 as a theater house of the neighboring "House of the culture of the Soviet Union". After the reunification, between 1990 and 2012, a very complex legal dispute was fought between the Sing-Akademie and the Land Berlin, both on administrative and civil law around the building and its parcels. After the administrative court of Berlin had decided in favor of the choir in 2004. However, the dispute was not settled. On 7 July 2011, contrary to the previous opinion of the Administrative Court and the Landgericht, the Berlin Court of Appeal ruled that the land was effectively expropriated, leaving the house initially owned by the State of Berlin. The Landgericht had expressly left open whether the Land of Berlin would have to return the land to the Sing-Akademie by way of restitution under Property Law, as it had nothing to decide about it. On 7 December 2012, its judgment decided Bundesgerichtshof that the building with the property was not effectively expropriated and thus still owned by the Sing-Akademie, so that the defendant country Berlin has to contribute to the correction of the Land Register and must agree that the Sing-Akademie zu Berlin is the owner in the land register as registered. As a result, the state of Berlin, the building official for the Maxim Gorki Theater and signed a ground lease agreement for 25 years, which provides for annual rent of each €315,000 euros. In response to Brecht's Epic Theater in Berlin Ensemble Theater in 1949. Sing-Akademie in 1952 was renamed the Maxim Gorki Theater, "as a place for the care of Russian and Soviet theater art". As a sozialistisches Modelltheater. It was founded under its first director, a Stanislavsky student Maxim Vallentin, a committed socialist realist. The originally planned opening of the theater with Maxim Gorky's Night Asylum was stopped by the State Art Commission. Instead, the building opened on 30 October 1952, with the German premiere of the Soviet piece Für die auf See by Boris Lawrence. Then at the end of the 1950s there were performances of such pieces as Alfred Matusche's Naked Grass and Heiner Müller's Die Korrektur and Der Lohndrücker both in 1958. Heiner Müller was employed at that time as a dramatist. The GDR premiere of Volker Braun's Die Übergangsgesellschaft (The Transitional Society
2015: Theater Prize of the Federal Government,€80,000
2016: Theater Prize Berlin,€20,000, for the directors Shermin Langhoff and Jens Hillje. In the jury's statement, it was said that since the 2013/2014 season, the duo have "consistently and radically transformed the Maxim Gorki Theater into a venue that reflects the diversity of the city's population."
