Out of This World is a musical with music and lyrics by Cole Porter, and the book by Dwight Taylor and Reginald Lawrence. The show, an adaptation of Plautus' comedy Amphitryon, first opened on Broadway in 1950.
Synopsis
The Roman godsMercury and Jupiter are in search of some entertainment of the human kind. The focus of their attention is a young bride, Helen and her husband, Art. Mercury joins the two on their trip to Athens, intending to put himself between the blushing newlyweds. While the men are busy chasing Helen, the goddess Juno is playing games of her own with inept gangster Nikki as her reluctant sidekick.
Out of This World began pre-Broadway tryouts on November 4, 1950 at the Shubert Theatre, Philadelphia, and then moved to the Shubert Theatre, Boston on November 28, 1950. The musical opened on Broadway at the New Century Theatre on December 21, 1950 and closed on May 5, 1951 after 157 performances. Staging was by Agnes De Mille, additional direction by George Abbott and choreography was by Hanya Holm. The cast featured George Gaynes as Jupiter, Charlotte Greenwood as Juno, Priscilla Gillette as Helen, David Burns as Nikki, William Eythe as Art O'Malley, and William Redfield as Mercury. The Encores! New York City Center Series concert production ran from March 30 – April 1, 1995, directed by Mark Brokaw with choreography by John Carrafa. The song "From This Moment On" that had been dropped from the original Broadway production was used, with orchestration by Jonathan Tunick and sung by Helen and Art. The cast also included Andrea Martin, Peter Scolari, and La Chanze.
Response
observed in his book Coming Up Roses: The Broadway Musical in the 1950s : "Something went wrong, because after a hectic tryout period the show opened in New York to tepid reviews, and the gala score couldn't produce a single hit. I blame Dwight Taylor, for his original plan was misconceived and humorless...It was too silly, too given to masquerade and unmotivated appearances, as 1920s musicals had been." In the role of Juno, eccentric dancer Charlotte Greenwood's hit comic numbers were "Nobody's Chasing Me", "Climb Up The Mountain", and "I Sleep Easier Now". Brooks Atkinson described Greenwood's performance as "warmhearted clowning"; she "throws her head back when she plunges into a song. She plays a few tricks with a collapsible camera tripod. She moves around the stage in a sort of grotesque crouch. And once, in the happiest moment of the show, she swings those long legs in a cartwheel-motion that delighted New Yorkers after the first World War, and delights New Yorkers of today."
