Philippine mythology


Philippine mythology is the body of myths, tales, and belief systems held by Filipinos, originating from various cultures and traditions of the peoples of what eventually became the Philippines. Philippine mythology is incorporated from various sources, having similarities with Indonesian and Malay myths, as well as Hindu, Muslim, Shinto, Buddhist, and Christian traditions, such as the notion of heaven, hell, and the human soul. Philippine mythology attempts to explain the nature of the world through the lives and actions of deities, heroes, and mythological creatures. The majority of these myths were passed on through oral tradition, and preserved through the aid of community spiritual leaders or shamans and community elders.
The mythologies and indigenous religions of the Philippines have historically been referred to as Anitism, meaning "ancestral religion". Other terms used were Anitismo, a Hispano-Filipino translation, and Anitería, a derogatory version used by most members of the Spanish clergy. Today, many ethnic peoples continue to practice and conserve their unique indigenous religions, notably in ancestral domains, although foreign and foreign-inspired religions continue to influence their life-ways through conversions, inter-marriage, and land-buying. A number of scholarly works have been devoted to Anitism and its various aspects, although many of its stories and traditions have yet to be recorded by specialists in the fields of anthropology and folklore.

Overview

There are two significant sources of Philippine mythologies, namely, oral literature and written literature.
Oral literature are stories that have been or still are being passed down from one generation to another through oral means such as verbal communication. All sources of Philippine mythologies are originally oral literature. As oral literature is passed on verbally, changes in stories and addition of stories through time are natural phenomenons and part of the evolving dynamism of Philippine mythology. Despite many attempts to record all oral literature of the Philippines, majority of stories pertaining to Philippine mythologies have yet to be properly documented. These oral traditions were intentionally interfered by the Spanish through the introduction of Christian mythologies in the 16th century. Some examples of such interference are the Biag ni Lam-ang and the Tale of Bernardo Carpio, where the names of certain characters were permanently changed into Spanish ones. Resurgent ripples of interest towards oral literature in the Philippines have sprang since the 21st century due to sudden interests among the masses, notably the youth, coupled by various mediums such as literary works, television, radio, and social media.
Written literature are oral literature that have been put in physical record such as manuscripts or publications. Juan de Plasencia wrote the Relacion de las Costumbres de Los Tagalos in 1589, documenting the traditions of the Tagalog people at the time. Other accounts during the period are Miguel de Loarca's Relacion de las Yslas Filipinas and Pedro Chirino's Relacion de las Yslas Filipinas. Various books regarding Anitism have been published by numerous universities throughout the country, such as Mindanao State University, University of San Carlos, University of the Philippines, Ateneo Universities, Silliman University, and University of the Cordilleras, as well as respected non-university publishing houses such as Anvil Publishing. The publication of these books range from the 16th century to the 21st century. There are also printed but unpublished sources of Philippine mythologies, notably college and graduate school theses. Specific written literature should not be used as a generalizing asset of a particular story, as stories differ from town to town or village to village, despite the people of a particular area belonging to the same ethnic group. Some examples are the story of Bakunawa and the Seven Moons and the story of The Tambanokano, which have multiple versions depending on the locality, people's ethnicity, origin of story, and cultural progression.

Regional Philippine mythology

Due to intensive cultural exchanges spanning for millenniums, many of the mythologies from a variety of ethnic groups in the Philippines have similarities, in one way or another. A few examples of which are: the creation myths of the Bicolano people and the Visayan peoples, whose deities' names are different but the activities recorded in their creation myths are extremely similar; the presence of deities named Mayari/Malayari/Apûng Malyari, which is prevalent in Tagalog, Kapampangan, and Sambal mythologies; the presence of moon deities, named Bulan in Hiligaynon, Karay-a, Cebuano and Bicolano mythologies, and serpent deities named Bakunawa in Hiligaynon, Karay-a, Cebuano, and Bicolano mythologies the presence of moon-swallowing monsters named Tambanokano in Mandaya and Manobo mythologies, where the Mandaya Tambanokano is depicted as a crab, while the Manobo Tambanokano is depicted as a tarantula or scorpion, depending on the ethnic sub-group; the presence of foe-deities named Gugurang and Asuang in Bicolano mythology and Agurang and Aswang in Hiligaynon mythology. and the presence of deities named Kabunian in the mythologies of the Ibaloi people, the Bontoc people, and the Ifugao people.
Despite being ethnic counterparts, the deities, heroes, and creatures are completely different from each other, and their stories must be respected as they are and not mixed into a single narrative. It should also be noted that each ethnic story has a variety of versions. In many cases, stories vary between town to town or village to village despite the peoples in the specified areas belonging to the same ethnic group.
The Philippines is made up of more than 7,000 islands, but they are divided into three main island regions. These regions are: Luzon, Visayas, and Mindanao. There have been attempts to refer each region to specific pre-colonial mythologies, however, the difference in mythologies and belief systems is not by region, but by ethnic groups, where some ethnic groups have influence in only a few towns, while others have inter-regional influences spanning various provinces. Buddhism and Hinduism in the Philippines is influential to the culture and myths of the people within the three major island regions. There is no unified mythology among the three regions, due to a wide array of diverse cultures that continue to flourish distinctly in the islands. These myths were orally passed down, which means that even myths within the same region will have some degree of change.

Luzon

Pre-colonial Luzon were split among Hindu-Buddhist, Muslim principalities, and animist.
Pre-colonial Visayas were influenced by Hindu-Buddhist and Animism. The Spaniards even described some of the indigenous people who lived there as Pintados, which means that they had tattoos/paintings on them.
Pre-colonial Mindanao were influenced by Hindu-Buddhist, Indonesian, and Malaysian beliefs and culture. Then around the 17th and 18th century, Islam in most northern islands of Mindanao were well established.
The indigenous religions of the Philippines developed through a variety of migration phases and trade routes. The arrival of early hominids in the Philippines, roughly 700,000 years ago, as exemplified in recent discoveries in the north, may have contributed to cultural evolutions of human species that would later arrive in the archipelago. Homo luzonensis is believed to have evolved from the early hominids that arrived. Homo sapiens arrived roughly around 67,000 years ago, replaced Homo luzonensis, and laid the foundation for the development of belief systems. The Negrito peoples are theorized by some scholars to be the first Homo sapiens inhabitants of the Philippines, and thus, the first peoples to formally establish belief systems in the archipelago. These Negritos, through the "Out-of-Sundaland model", were an early split-off from the first migration phase, which brought Homo sapiens from Africa, to mainland Asia, and finally to archipelagic Southeast Asia, where the Philippine archipelago is located. The Negritos brought basic forms of animism. The second migration phase began when Austronesians arrived roughly about 5,000 years ago. Scholars theorized that Austronesians arrived through the "Out-of-Taiwan model", where Homo sapiens from mainland Asia crossed Taiwan, and later the Philippines, until furthering to other Malay islands south of the Philippines. The Austronesians are believed to have introduced more complex animist beliefs with shamanism, ancestor worship, totemism, and tattoo artistry. The beliefs on benevolent and malevolent spirits was also established by their arrival.
By 200 to 300 CE, Hindu mythologies arrived in some areas in the Philippines through trade routes and more waves of ethnic migrations. Hinduism brought in Indianized traditions to the Philippines, including indigenous epics such as Ibalong, Siday, and Hinilawod, folk stories, and a variety of superstitions which gradually established more complex indigenous polytheistic religions. Additionally, the concept of good and bad demons, which is prevalent in Indian societies, became widespread in the archipelago. These demons were viewed as both evil and good, unlike Western demons which are only evil. Unlike other areas in Southeast Asia which were heavily converted to Hinduism, indigenous religions in the Philippines were not replaced by Hinduism, rather, those religions absorbed traditions and beliefs present in Hinduism. Gender-variant deities and shamans also became widespread during this period. Humanoid mythical creatures also developed alongside a variety of evolving belief systems. Around 900 CE, Chinese influence spread in some areas in the Philippines, inputting Sinified belief systems in the process, along with Buddhist mythologies. The most prominent belief that spread during this phase was the belief in ghosts, which is prevalent in Chinese societies.
By 1300 CE, Muslim trader arrived in the southern Philippines, bringing with them Islamic mythologies and its belief systems. Many natives in certain areas in the southern and western Philippines were converted into Muslims easily as much of the people had societies that had high acceptance towards foreign traditions. In the middle of the 16th century, the Spanish arrived and brought with them Christian mythologies and its accompanying belief systems. Some of the inhabitants were receptive to these myths, but most of which were against it as the Spanish wanted to conquer the lands and override their leaders, instead of simple tradition exchanges. When the Spanish laid its foundations in the archipelago, a three-century purge against indigenous religions began, which resulted in much of the ethnic people's indigenous cultures and traditions being brutalized and mocked. The phase also replaced much of the polytheistic beliefs of the people into monotheism. Existing myths and folklores were retrofitted to the tastes of the Spanish, but many indigenous belief systems were hard to replace, and thus, were retained despite Spanish threats and killings. In the late 19th century, the Americans colonized the country, and bolstered Westernization, greatly affecting the people's ethnic belief systems due to globalization.
Since the 21st century, waves of more modern Filipino generations have begun a revival of indigenous belief systems in the country due to a heightened sense of nationalism and anti-imperialism. Among the things being revived today include the worship of indigenous deities and heroes, appreciation of the natural world including its spiritual realms and accompanied mythical races, and usage and enhancement of ethnic architecture, visual arts, weaving arts, pottery arts, films, basketry arts, music, dance, suyat calligraphy arts, and other art forms.

Shamans

Indigenous shamans were spiritual leaders of various ethnic peoples of the pre-colonial Philippine islands. These shamans, many of which are still extant, were almost always women or feminized men. They were believed to have spirit guides, by which they could contact and interact with the spirits and deities and the spirit world. Their primary role were as mediums during pag-anito séance rituals. There were also various subtypes of shamans specializing in the arts of healing and herbalism, divination, and sorcery. Numerous types of shamans use different kinds of items in their work, such as talismans or charms known as agimat or anting-anting, curse deflectors such as buntot pagi, and sacred oil concoctions, among many other objects. All social classes, including the shamans, respect and revere their deity statues which represent one or more specific deities within their ethnic pantheon, which includes non-ancestor deities and deified ancestors. More general terms used by Spanish sources for native shamans throughout the archipelago were derived from Tagalog and Visayan anito, these include terms like maganito and anitera.

Witches

The negative counterparts of the shamans are collectively called as witches, however, these witches actually include a variety of different kinds of people with differing occupations and cultural connotations which depend on the ethnic group they are associated with. They are completely different from the Western notion of what a witch is. Notable examples of witches in a Philippine concept are the mannamay, witches known to the Ibanag people, mangkukulam, witches that use materials from nature and the cursee as a form of curse, and the mambabarang, witches that utilize insects as a form of curse, while notable sorcery tactics enforced by witches include barang, usik, hilo, paktol, laga, and sampal. As spiritual mediums and divinators, shamans are notable for countering and preventing the curses and powers of witches, notably through the usage of special items and chants. Aside from the shamans, there are also other types of people who can counter specific magics of witches, such as the mananambal, which specializes in countering barang. Shamans can also counter the curses of supernatural beings such as aswangs, however, as mortal humans, the physical strength of shamans are limited compared to the strength of an aswang being. This gap in physical strength is usually bridged by a dynamics of knowledge and wit.

Concept of realms

Like most mythologies in the world, the concept of realms focuses greatly on heaven, earth, and hell. These worldwide concepts are also present in the many mythologies of the Philippines, although there are stark differences between ethnic groups, with ethnic-endemic additions, subtractions, and complexities in the beliefs of ethnic realms. Additionally, unlike the general Western concept of heaven and hell, in the Philippine concept, heaven may be located in the underworld, while hell may be located in the skyworld, depending on the associated ethnic group. These differences are notably caused by both cultural diffusion and cultural parallelism. These diffusions and parallelisms are also present in the many story motifs of Philippine mythologies. Some examples of the concept of realms in the many ethnic groups in the Philippines are as follow:
Each ethnic group in the Philippines, which number more than a hundred, has their own indigenous concept of realms. The diversity of ethnic groups in the country contributes to the unique diversity of realms believed to be found endemically in specific ethnic domains and mythologies.

Supreme deities of Philippine mythology

Each ethnic group in the country has their own distinct pantheon of deities and belief systems. Some ethnic groups have a supreme deity, while others revere ancestor spirits and/or the spirits of the natural world. The usage of the term "diwata" is mostly found in the central and southern Philippines while the usage of "anito" is found in the northern Philippines. There is also a 'buffer zone' area where both terms are used interchangeably. The etymology of diwata may have been derived from the Sanskrit word, devata, meaning "deity", while anitos etymology may have been derived from the proto-Malayo-Polynesian word qanitu and the proto-Austronesian qanicu, both meaning "ancestral spirits". Both diwata and anito, which are gender-neutral terms, can be translated into deities, ancestral spirits, and/or guardians, depending on the associated ethnic group. The concept of both diwata and anito are similar to the concept of the Japanese kami. However, during the colonization era between the 16th century to the 19th century, the Spanish intentionally modified the meaning of both diwata and anito as both terms were not in line with the monotheistic concept of Christianity. This modification was supported by the Americans in the early 20th century. The meaning of diwata was transformed into "fairy or enchantress", while the meaning of anito was transformed into "ancestors and spirits", although in areas not subjugated by Spain, the original meanings of the two terms were not changed. Each of the supreme deities per ethnic people is completely distinct, even if some of their names are the same or almost the same.
The supreme deities of various ethnic groups in the Philippines must be treated as existing and prevalent, as they are still believed by many societies, the same way Christians believe in a supreme god they refer as 'God' and the same way Muslims believe in a supreme god they refer as 'Allah'. Below are some of the supreme deities in the Philippines:
-like beings, and the binangunan, fire horses.
Some ethnic peoples have a multitude of deities or nature spirits but do not consider any deity or spirit as 'supreme' from the rest, despite having a deity which 'created the world'. Research on various ethnic peoples throughout the country are continually being conducted by students, government officials, and scholars to further document, acknowledge, protect, and promote the mythology, folklore, and pantheons of more than a hundred different ethnic peoples.

Cosmogony or creation myths

usually tell how the world was created, and most of the time, also includes how mankind came into existence. Each ethnic group in the Philippines has their own creation myth, making the myths on creation in the Philippines extremely diverse. In some cases, a single ethnic group has multiple versions of their creation myth, depending on locality and sub-culture from a larger 'mother' culture. A few of the many cosmogonies known to specific ethnic groups in the Philippines are as follow:
Each ethnic group in the Philippines has its own set of stories depicting their mythical heroes, notably through oral traditions such as epics and verbal poems. Many of these stories have now been published in scholarly works and books by various folkloristic and anthropological scholars and researchers throughout the country. Due to Spanish and American colonisation, some of the stories have been retrofitted with minor changes, notably in the heroes' names. For the native people, many of these heroes are referred as actual humans who lived centuries ago and not "mythical" beings, the same way Christians and Muslims believe that their prophets/saints were 'actual' people from the past. Among these heroes are as follow:
Aside from the deities and heroes, numerous human figures, either full humans or demigods which may be mortals or immortals, in Anitism have been attributed as causers or helpers of various events in epics and poems, and their actions supplement some explanations on why things have become to what they are today. A few of these figures are:
There are also specific figures in Anitism which are not humans. Many of which are monsters from epics and poems, while others are deities, demigods, or humans that turned into non-human forms due to a variety of causes or are originally non-human in form. There are also beings that are essentially non-human messengers, divine familiars, or folkloric animal humanoids. A few of these figures are:
Each ethnic people in the Philippines has their own sets of belief systems concerning mythological creatures, enchanted races, and monsters. It is a common belief that most mythological creatures prefer to be left alone, while only a few actively hunt for human victims. Each creature was initially unique under each ethnic people's culture. But due to nationalism, various creatures from various ethnic peoples have gone into the limelight and have been absorbed by other ethnic peoples's belief systems. Mediums such as television, radio, and books have enhanced the spread of belief in multiple creatures between ethnic peoples in the country. Additionally, due to colonialism, many creatures of Western origin have also been inputted in the beliefs of many natives. Among the mythical creatures of Philippine mythology are as follow:
All ethnic groups in the Philippines have a variety of known mythical objects present in their oral literature, notably in their epics and stories concerning the deities, heroes, and mythical creatures. Some examples of these mythological items are as follow:
The concept of soul is integral to all ethnic groups in the Philippines. Each ethnic group has their own unique concept of what a soul is, how many are there, and how a soul follows the cycle of life and death or how it follows the linear path of life, death, and beyond. Among the many concepts of soul/s are as follow:
Throughout various cultural phases in the archipelago, specific communities of people gradually developed or absorbed notable symbols in their belief systems. Many of these symbols or emblems are deeply rooted on the indigenous epics, poems, and pre-colonial beliefs of the natives. Each ethnic group has their own set of culturally important symbols, but there are also "shared symbols" which has influenced many ethnic peoples in a particular area. Some examples of important Anitist symbols are as follow:
The places of worship of Anitist adherents in the Philippines are extremely varied. The terms in reference to these places depend on the ethnic people they are associated with. For example, for the indigenous Tagalog people, their place of worship is called a lambana or dambana, while for the Bicolano people, their place of worship is called a moog. Other ethnic groups have various places of worship, such as the Itneg people, who has various forms of spirit houses called tangpap, kalangan, salako, palaan, pangkew, alalot, and the biggest house called balaua. Many ethnic peoples in the country have a shared "mountain worship culture", where specific mountains are believed to be the abodes of certain divinities or supernatural beings and aura. Mythical places of worship are also present in some mythologies. Unfortunately, majority of these places of worship were brutalized and destroyed by the Spanish colonialists between the 15th to 19th centuries, and were continued to be looted by American imperialists in the early 20th century. Additionally, the lands used by the native people for worship were mockingly converted by the colonialists as foundation for their foreign churches and cemeteries. Examples of indigenous places of worship that have survived colonialism are mostly natural sites such as mountains, gulfs, lakes, trees, boulders, and caves. Indigenous man-made places of worship are still present in certain communities in the provinces, notably in ancestral domains where the people continue to practice their indigenous religions.

Status, recognition, protection, and promotion

According to the 2010 census of the Philippine Statistics Authority, 80.58% of the total Filipino population were Catholics, 10.8% were Protestant and 5.57% were Muslims, while less than 0.2% of the population were affiliated with the indigenous tribal religions.
At least two oral literature in the Philippines, the Hudhud and the Darangen, and one indigenous game, Punnuk, have been inscribed in the UNESCO Intangible Cultural Heritage Lists. Additionally, four Philippine paleographs, with the inclusion of Ambahan poetry, have been inscribed in the UNESCO Memory of the World Register, under a single entry. The José Maceda Collection inscribed in the Memory of the World Register also contains an array of traditional music from the Philippines containing stories from ethnic mythologies.
In 2014, the international astronomical monitoring agency MPC named asteroid 1982 XB as 3757 Anagolay, after the Tagalog goddess of lost things, Anagolay.
In accordance to the National Cultural Heritage Act, as enacted in 2010, the Philippine Registry of Cultural Property was established as the national registry of the Philippine Government used to consolidate in one record all cultural property that are deemed important to the cultural heritage, tangible and intangible, of the Philippines. The registry safeguards a variety of Philippine heritage elements, including oral literature, music, dances, ethnographic materials, and sacred grounds, among many others. The National Integrated Protected Areas System Law, as enacted in 1992 and expanded in 2018, also protects certain Anitist sacred grounds in the country.
Philippine mythology is seldom taught in Filipino schools, even after the implementation of the K-12 educational system. Most mythologies currently taught and approved by the Department of Education and the Commission on Higher Education are composed of Western mythologies, such as Greek, Roman, and Norse. Most entities that promote Philippine mythology for education are artists, scholars, television networks, publishers, and non-profit organizations. Certain stories from Anitism, notably the mythical creatures, have also been promoted globally in international book bazaars, films, art galleries, online games, and educational courses. Both the National Commission for Culture and the Arts and the Cultural Center of the Philippines have supported the promotion of Philippine mythology in many occasions, although government funding is still extremely minimal.
Since 2018, there have been proposals to establish a fully-fledged Department of Culture, which would be able to protect and promote Philippine mythologies to a wider audience, while enlarging funding for the programs intended for their promotion and protection. A 'comprehensive' Philippine mythology book was proposed by a non-government entity in 2019.