Psalm 133


Psalm 133 is the 133rd psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "Behold, how good and how pleasant it is for brethren to dwell together in unity!" The Book of Psalms is the third section of the Hebrew Bible and a book of the Christian Old Testament. In the Greek Septuagint version of the bible, and in its Latin translation in the Vulgate, this psalm is Psalm 132 in a slightly different numbering system. In Latin, it is known as "Ecce quam bonum". The psalm is one of the fifteen Songs of Ascents, and one of the three Songs of Ascents consisting of only three verses.
The psalm is a regular part of Jewish, Catholic, Anglican and Protestant liturgies. It has been set to music often, notably by Heinrich Schütz, Friedrich Kiel, and as the conclusion of Bernstein's Chichester Psalms. Addressing the topic of unity, the beginning of the psalm has been chosen as a motto by universities.

Background

Psalm 133 is one of the shortest chapters in the Book of Psalms, being one of three psalms with three verses; the others are Psalms 131 and 134. The shortest psalm is Psalm 117, with two verses.
According to 18th-century theologian John Gill, David may have composed this psalm after he was unanimously crowned as king by the united tribes of Israel, or after his son Absalom's revolt was put down and the tribes hurried to show their loyalty to David. Gill noted that it may also be viewed as prophetic, referring to the reunion of the tribes after the Babylonian captivity, to the unity of the Christians at the time of the Gospels, or to the Messianic Age.

Themes

The themes of brotherly love and unity in verse 1 have been interpreted various ways. Rashi states that when the Jewish people are united, God joins together with them. Matthew Henry suggests that David is directing this call for unity to the sons of his many wives, or to "the benefit of the communion of saints".
Augustine of Hippo saw the psalm's theme of brotherhood as so important that he stated, in what James Luther Mays noted as overstatement, that it gave birth to monasteries—that is, to those communities who wished to live together as brothers. After the Reformation it became part of one order for the celebration of the Eucharist, interpreting the sacrament as constituting a spiritual family, and in the Book of Common Prayer it denotes an idea of unity that simultaneously can function to exclude others, according to Mays.
The Midrash interprets verses 1 and 2 in the context of Moses anointing his brother Aaron as High Priest of Israel. According to the Midrash, two drops of the holy anointing oil hung from Aaron's beard like two pearls. Both Moses and Aaron were worried that an error had been made in the anointing ceremony, but a bat kol declared, "Behold how good and how pleasant it is for brothers to dwell together in unity" and "Just as Moses did not transgress, neither did you transgress". These verses are also cited in the Talmudic discussion of the possible misuse of the holy anointing oil.
Verse 2, which mentions Aaron by name, is cited by Eliyahu Kitov in connection with Aaron's role as one of the seven ushpizin who visit the sukkah during the holiday of Sukkot.

Text

Mays analyzes the structure of the psalm as follows: v. 1 is an exclamation containing a value statement, followed by two or three similes in vv. 2–3a, and a declaration in 3b that supports the initial statement. The similes are meant to evoke positive associations with "good" and "pleasant", though Mays is puzzled by the reference to "the beard of Aaron"; it is not clear whether it is in apposition to the first mention of "beard", or whether it is a second beard. All similes, Mays says, contain the phrase coming or running down, anticipating the blessing of God that runs down in the last verse. The psalm is the inspiration for the colloquial names for a number of wild plants called Aaron's beard.

Hebrew Bible version

Following is the Hebrew text of Psalm 133:
VerseHebrew
1שִׁ֥יר הַֽמַּֽעֲל֗וֹת לְדָ֫וִ֥ד הִנֵּ֣ה מַה־טּ֖וֹב וּמַה־נָּעִ֑ים שֶׁ֖בֶת אַחִ֣ים גַּם־יָֽחַד
2עַל־הָרֹ֗אשׁ יֹרֵ֗ד עַל־הַזָּ֫קָ֥ן זְקַ֥ן אַֽהֲרֹ֑ן שֶׁ֜יֹּרֵ֗ד עַל־פִּ֥י מִדּוֹתָֽיו
3צִוָּ֣ה יְ֖הֹוָה אֶת־הַבְּרָכָ֑ה חַ֜יִּ֗ים עַד־הָֽעוֹלָֽם

King James Version

  1. Behold, how good and how pleasant it is for brethren to dwell together in unity!
  2. It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments;
  3. As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the LORD commanded the blessing, even life for evermore.

    Uses

Judaism

Psalm 133 is one of the 15 Songs of Ascents recited after the Shabbat afternoon prayer in the period between Sukkot and Shabbat HaGadol.
Verse 3 is part of the Selichot prayers.

Other

The Latin title of the Psalm is Ecce Quam Bonum. The first lines, Ecce quam bonum et quam jucundum habitare fratres in unum, constitute the motto of, the Royal Borough of Kensington and Chelsea, Morrissey Hall of the University of Notre Dame, and the Immaculate Heart of Mary Seminary in Winona, Minnesota.

Musical settings

Verse 1, known as Hine Ma Tov has been set to music in Judaism often. Melodies have been composed for congregational prayer, folk singing, and art and choral settings. The verse is also sung as a Shabbat table song, and folk dances have been choreographed to its settings.
A Christian hymn in English, "How beautiful the sight", was written based on Psalm 133 by James Montgomery, sung to the tune Old Godric.
In 1571, David Aquinus composed a setting of Psalm 133 for four voices, setting the translation of the Bible by Martin Luther, "Siehe, wie fein und lieblich ist's". Heinrich Schütz set the psalm in German twice, in 1619 as his SWV 48, "Siehe, wie fein und lieblich ist's", for two sopranos, alto, tenor, bass, cornett, violin, violone and continuo, and again for choir as part of his setting of the Becker Psalter as SWV 148, "Wie ist's so fein, lieblich und schön".
Franz Paul Lachner wrote in 1849 a setting of the psalm for four female voices a cappella. Friedrich Kiel composed a choral setting of verses 1 and 3, "Siehe, wie fein und lieblich ist es", as No. 2 of his 6 Motetten für gemischten Chor, Op. 82, of selected psalm settings, published in 1883. Mikhail Ippolitov-Ivanov set the psalm for choir, together with Psalm 132 as Two evening meal verses in 1899.
, who chose verse 1 to conclude his 1965 Chichester Psalms
Donald Wyndham Cremer Mossman composed a setting for choir and organ titled Ecce, quam bonum! with the incipit "Behold, how good and joyful a thing it is", which became part of The Complete St Paul’s Cathedral Psalter. Herman Berlinski composed in 1980 A Psalm of Unity for mixed choir, organ, soprano, two contraltos and mezzo-soprano based on text from Psalm 140 and Psalm 133. Verse 1 concludes the text in Hebrew of the final movement of Leonard Bernstein's Chichester Psalms, an extended work for choir and orchestra which begins with the complete text of Psalm 131.