Rafał Syska is a Polish film historian and writer. He is an associate professor in the Audiovisual Arts Department of Jagiellonian University in Cracow. At the beginning of his career he was specialized in the phenomenon of violence in cinema, then he focused on strategies of authorship in American cinema. At present he is an expert of the contemporary minimalistic slow-cinema, especially its neomodernism tendencies (e.g. works of Alexander Sokurov, Béla Tarr, Bruno Dumont, Sarunas Bartas, Fred Kelemen, Tsai Ming-liang, Lisandro Alonso, Carlos Reygadas. He published a book upon the Greek filmmaker Theo Angelopoulos. He was also an editor of the dictionary Film Dictionary and now he is a co-editor of a numerous-volume books: Masters of American Cinema and History of Cinema. At the Audiovisual Arts Department, he conducts lectures in courses: Film interpretation, History of world cinema and Ways of contemporary cinema. Three times he did the research in the United States, financed by the Polish Ministry of Science and The Kosciuszko Foundation. In 2012 he was a scholar visiting at Columbia University in New York Syska was also a grant holder of the Stanislaw Estreicher Foundation, Polityka Weekly Magazine as well as prestigious Foundation for Polish Science and The Kosciuszko Foundation. In 2009 he was awarded by Rector of Jagiellonian University and received a nomination to Boleslaw Michalek Prize for the best film studies book. In years 1994-2004, he was co-creator of Etiuda&Anima International Film Festival in Kraków and twice he was its co-director. He is publishing his essays in the Polish magazines Kino, Kwartalnik filmowy and Didaskalia. He is a founder and editor-in-chief of "EKRANy" bi-monthly film magazine. In 2014 he was a curator of the exhibition Stanley Kubrick in the National Museum in Crakow.
Publications (selection)
Books:
100 thrillers, Rabid, Kraków, 2002.
Film and Violence. Ways of Film Violence Representation, Rabid, Kraków, 2003.
Film Dictionary, Zielona Sowa, Kraków 2005.
Masters of American Cinema, vol. 1 Classics, co-editor Łukasz A. Plesnar, Rabid, Kraków 2006.
Masters of American Cinema, vol. 2 Rebel and Nostalgia, co-editor Łukasz A. Plesnar, Rabid, Kraków 2007.
Poetry of Pictures. Theo Angelopoulos Films, Rabid, Kraków 2008.
Keep the Distance. Film World of Robert Altman, Rabid, Kraków 2008.
History of Cinema, vol. 1. Silent Cinema, co-editor Tadeusz Lubelski, Iwona Sowińska, Universitas, Kraków 2009.
Masters of American Cinema, vol. 3 Present Time, co-editor Łukasz A. Plesnar, Rabid, Kraków 2010.
History of Cinema, vol. 2. Classical Cinema, co-editor Tadeusz Lubelski, Iwona Sowińska, Universitas, Kraków 2011.
Adaptation of American Literature, editor, EKRANy, Kraków 2013.
Neomodernism in Cinema, Avalon, Kraków 2014.
Essays:
Terror CinemaFilm Genre. Yesterday and Today, Krzysztof Loska, Rabid Kraków 1998.
Aggression and Evil. Ways of 20th Century DestructivnessIconical Violence or New Sight, Eugeniusz Wilk, WUŚ Katowice 2001.
Thriller as a GenreAround Film Genre, Krzysztof Loska, Kraków 2002.
Revolution that has not come. Upon political context of Rainer Werner Fassbinder worksMasters of European Cinema, Grażyna Stachówna, Joanna Wojnicka, Kraków 2002.
Janusz Morgenstern. In the Trap of Present TimeAuthors of Polish Cinema, Grażyna Stachówna, Joanna Wojnicka, Kraków 2004.
Béla Tarr. Wheel is OverAuthors of European Cinema, vol. 3, Alicja Helman, Andrzej Pitrus, Rabid, Kraków 2007.
Bruno Dumont – LookingAuthors of European Cinema, Alicja Helman, Andrzej Pitrus, Rabid, Kraków 2009.
Marlowe from the Beyond. „The Long Goodbye” by Robert Altman „Studia filmoznawcze” nr 29, Sławomir Bobowski, Wydawnictwo Uniwersytetu Wrocławskiego, Wrocław 2009.
The Beginning of American CinemanHistory of Cinema, vol. 1, Silent Cinema, Tadeusz Lubelski, Iwona Sowińska, Rafał Syska, Universitas, Kraków 2009.
David Lynch. Sad Cinema About DeathMasters of American Cinema, vol. 3., Present Time, Łukasz Plesnar, Rafał Syska, Rabid, Kraków 2009.
Experience of the internal cinema. Narration in Inland Empire by David Lynch "Kwartalnik filmowy" 71-72/2010.
Don Kichote by Orson Welles: Unfinished Journey onto the MoonFrom Cervantes to Perez-Reverte. Adaptation of Spanish Literature, ed. Alicja Helman i Kamila Żyto, Warszawa: Kino Rabid 2010.
