Reginald Horace Blyth


Reginald Horace Blyth was an English author and devotee of Japanese culture. He is most famous for his writings on Zen and on haiku poetry.

Early life

Blyth was born in Essex, England, the son of a railway clerk. He was the only child of Horace and Henrietta Blyth. He attended Cleveland Road Primary School, in Ilford, then the County High School. In 1916, at the height of World War I, he was imprisoned at Wormwood Scrubs, as a conscientious objector, before working on the Home Office Scheme at Princetown Work Centre in the former and future Dartmoor Prison. After the war he attended the University of London, where he read English and from which he graduated in 1923, with honours.
He adopted a vegetarian lifestyle which he maintained throughout his life. Blyth played the flute, made musical instruments, and taught himself several European languages. He was particularly fond of the music of J.S. Bach. In 1924, he received a teaching certificate from London Day Training College. The same year, he married Anna Bercovitch, a university friend. Some accounts say they moved to India, where he taught for a while until he became unhappy with British colonial rule, other scholars dismiss this episode, claiming it to have been invented or misunderstood by Blyth's mentor Daisetz T. Suzuki.

Korea (1925–1935)

In 1925, the Blyths moved to Korea, where Blyth became Assistant Professor of English at Keijo University in Seoul. While in Korea, Blyth began to learn Japanese and Chinese, and studied Zen under the master Hanayama Taigi of Myōshin-ji Keijo Betsuin. In Korea he started to read D. T. Suzuki's books about Zen. In 1933, he informally adopted a Korean student, paying for his studies in Korea and later at London University. His wife parted from him in 1934 and Blyth took one-year absence from the university in 1935, following her to England. After the divorce, Blyth returned to Korea in early 1936, leaving the adopted son with his ex-wife. The adopted son returned after World War II to Korea. In 1947 he was captured by North Korean soldiers; when he returned to the South, he was shot as a traitor by the South Korean army.

Japan (1936–1964)

Having returned to Seoul in 1936, Blyth remarried in 1937, to a Japanese woman named Kijima Tomiko, with whom he later had two daughters, Nana Blyth and Harumi Blyth. 1940 they moved to Kanazawa, D. T. Suzuki's home town, in Japan, and Blyth took a job as English teacher at the Fourth Higher School.
When Britain declared war on Japan in December 1941, following the Japanese attack on Pearl Harbor, bringing Japan into World War II, Blyth was interned as a British enemy alien. Although he expressed his sympathy for Japan and sought Japanese citizenship, this was denied. During his internment his extensive library was destroyed in an air raid. In the internment camp in Kobe he finished his first book Zen in English Literature and Oriental Classics and wrote parts of his books about haiku and senryu. He also met in the camp Robert Aitken, later Roshi of the Diamond Sangha in Honolulu.
After the war, Blyth worked diligently with the authorities, both Japanese and American, to ease the transition to peace. Blyth functioned as to the Japanese Imperial Household, and his close friend, Harold Gould Henderson, was on General Douglas MacArthur's staff. Together, they helped draft the declaration Ningen Sengen, by which Emperor Hirohito declared himself to be a human being, and not divine.
By 1946, Blyth had become Professor of English at Gakushuin University, and became private tutor to the Crown Prince Akihito until the end of his life. He did much to popularise Zen philosophy and Japanese poetry in the West. In 1954, he was awarded a doctorate in literature from Tokyo University, and, in 1959, he received the Zuihōshō Fourth Grade.
Blyth died in 1964, probably of a brain tumour and complications from pneumonia, in the Seiroka Hospital in Tokyo. He was buried in the cemetery of the Shokozan Tokei Soji Zenji Temple in Kamakura, next to his old friend, D. T. Suzuki. Blyth's posthumous Buddhist name is Bulaisu Kodo Shoshin Koju.
He left the following death poem:

Work

Blyth produced a series of work on Zen, Haiku & Senryu, and on other forms of Japanese and Asian literature.
He wrote six books on Haiku and two books on Senryu, four books on Humour in Asian and English Literature, 1959, as well as seven books on Zen. Further publications include studies of English Literature and a three fifth shortened version of 'A Week on the Concord and Merrimack Rivers' by his favourite author Henry David Thoreau, along with an introduction and explanatory notes.
The most significant publications being his four-volume Haiku Series, his 'Zen in English Literature and Oriental Classics' and his five-volume Zen Series.
Nearly all of his books were published in Japan, by Hokuseido Press, Tokyo.

Blyth and Zen

The actual 5-volume 'Zen and Zen Classics' series is a modification by the publishers, caused by the unexpected death of Blyth, of the originally planned 8-volume project, which included a translation of the Hekiganroku, a History of Korean Zen and of Japanese Zen and a renewed edition of his 'Buddhist Sermons on Christian Texts' as Vol. 8;.
According to D.T. Suzuki the Zen-Series should have been "the most complete work on Zen to be presented so far to the English-reading public".
The First Volume presents a General Introduction from the Upanishads to Huineng, Vol. Two and Three a History of Zen from the Seigen Branch to Nangaku Branch and Vol. Five Twenty-Five Zen Essays. In Vol. Four Blyth translates the Mumonkan. Blyth's Mumonkan was the third complete translation into English, but the first one which was accompanied by extensive interpretive commentaries on each case.
Blyth's early publication ‘Zen in English Literature and Oriental Classics', published 1942 when he was interned in Japan during World War II, and his Zen and Zen Classics Series exerted a significant influence on the Western Writers’- and Zen-community, although nearly all of his books were published in Japan only.
To his "Zen-audience" belonged Aldous Huxley, Henry Miller and Lawrence Durrell,Jerome D. Salinger, Robert Shea and Robert Anton Wilson as well as Alan Watts, Christmas Humphreys, Robert Aitken, Katsuki Sekida, Donald Richie, Raymond Smullyan, Janwillem van de Wetering and Osho.

Blyth and Haiku & Senryu

In an autobiographical note Blyth writes: "By a fortunate chance I then came across haiku, or to speak more exactly Haiku no Michi, the Way of Haiku, which is the purely poetical life in relation to nature. Next, the biggest bit of luck of all, Zen, through the books of Suzuki Daisetz... Last but not least there appeared senryu, which might well be dignified by the term Senryu no Michi, the Way of Senryu, for it is an understanding of all things by laughing and smiling at them, and this means forgiving all things, ourselves and God included". Blyth wrote six books on haiku and four books on humour and senryu, the genre sister of haiku: 'In haiku things speak for themselves with the voice of a man, in senryu things do not speak; we speak and speak for ourselves', in senryu the world is 'not seen as God made it' but 'as man sees it'; 'to haiku, sex hardly exists; to senryu, it is all pervading... a great many deal with the subject of the Yoshiwara...'
After early imagist interest in haiku the genre drew less attention in English, until after World War II, with the appearance of a number of influential volumes about Japanese haiku.
In 1949, with the publication in Japan of the first volume of Haiku, Blyth's four-volume work, haiku was introduced to the post-war Western world. His Haiku series was dealing mostly with pre-modern haiku, though including Shiki; later followed his two-volume History of Haiku. Today he is best known as a major interpreter of haiku & senryu to English speakers.
Many contemporary Western writers of haiku were introduced to the genre through his Zen-based haiku explanations. These include the San Francisco and Beat Generation writers, Gary Snyder, Philip Whalen, Jack Kerouac and Allen Ginsberg, as well as J. D. Salinger, Octavio Paz and E. E. Cummings. Many members of the international "haiku community" also got their first views of haiku from Blyth's books, including American author James W. Hackett, Eric Amann, William J. Higginson, Anita Virgil, Jane Reichhold, and Lee Gurga. The French philosopher and semiotician Roland Barthes read 1967 Blyth's 4 Vol. set, using it for lectures and seminars on haiku 1979.
Some noted Blyth's distaste for haiku on more modern themes, some his strong bias regarding a direct connection between haiku and Zen, a connection largely ignored by modern Japanese poets. Bashō, in fact, felt that his devotion to haiku prevented him from realising enlightenment; and classic Japanese haiku poets like Chiyo-ni, Buson, and Issa were Pure Land rather than Zen Buddhists. Some also noted, that Blyth did not view haiku by Japanese women favourably, that he was downplaying their contribution to the genre, especially during the Bashō era. In the chapter 'Women Haiku Writers' Blyth writes: "Haiku for women, like Zen for women, - this subject makes us once more think about what haiku are, and a woman is…Women are said to be intuitive, and as they cannot think, we may hope this is so, but intuition…is not enough… is doubtfull... whether women can write haiku"
Although Blyth did not foresee the appearance of original haiku in languages other than Japanese when he began writing on the topic, and although he founded no school of verse, his works stimulated the writing of haiku in English. At the end of the second volume of his History of Haiku, he remarked 1964 that "The latest development in the history of haiku is one which nobody foresaw... the writing of haiku outside Japan, not in the Japanese language." He followed that comment with a number of original verses in English by Hackett with whom Blyth corresponded.
Blyth: "How about my own explanations? Some say they are better than many of the original haiku. Some say they should be omitted. I myself agree with both views".

Blyth's Zen

"Incidentally, I first heard the term "Blyth's Zen"... when Roshi asked, "Who was your Zen teacher?" I told Soen Roshi that... for incorporating Zen values in my haiku, I was a disciple of R. H. Blyth. To this, Roshi murmered a long "Hmmmmmmm.....", then said "Blyth's Zen, eh?"
"We must never forget that the one thing in the world that is not a thing is Zen. International, transcendental, pure super-Zen has no existence. Buddha's Zen, and Daruma's Zen, and Eno's Zen and Rinzai's and Suzuki's and even perhaps Blyth's Zen... - but no Zen without them"

'R. H. Blyth: I have just come from Korea, where I studied Zen with Kayama Taigu Roshi of Myoshinjin Betsuin
D. T. Suzuki: Is that so? Tell me, what is Zen?
R. H. Blyth: As I understand it, there is no such thing
D. T. Suzuki: I can see you know something of Zen'
'"And what did you learn there?" asked Hofuku. "I got nothing", said the monk. "How did you manage to do that?" said Hofuku"'
  1. 'most of the world's trouble are due to grammar'
  2. "...we objectify things which are no objects, subjectify persons who are not subjects, and suffer the consequences of this"
  3. "Worry is the great enemy … what is wrong is not the pain and grief suffering, but thinking about ourselves as sufferers"
  4. "The intellect beats its wings in vain against the bars of intellectual cage"
  5. "You are going to swat a fly; it comes and sits on the fly-swat itself; what will you do in such a case?"
  1. ".. how about all the poor unenlightened chaps, or those who have died five minutes before they became enlightened? No, No! The universe must suffer, in being what it is, and we must suffer with it. The universe has joy … and we must be happy with it. Above all, the universe is a paradox, and we must laugh with and at it."
  2. "Suppose a man practises ascetism for ten years and the day before he is going to be enlightened, - he dies! Was it worth it all?... The orthodox will say that he will get enlightenment very soon and easily in the next life, but there's no end to nonsense." "...supposes a fairly long life. and what, for example, is the sense of struggling for enlightenment if the day after we get it we die? we must get something this moment, in a world in which every next moment may be our last."
  3. " history of the development of Mahayana Buddhism, the gradual realisation that without illusion and bondage there can be no enlightenment and release, and the further Zen discovery of the … fact that illusion is, without any change, enlightenment, the ordinary man is, as he is, the Buddha"
  1. "'Raising waves where there is no wind' is a favourite expression in Zen, signifying that there is no problem of life. Things are as they are, and as they are becoming, and once you realise this in its active, not resigned meaning, there is nothing really to worry about"
  2. "This attitude of life, of willing acceptance of all that comes, or rather, all that we come to, for our attitude to life must be active and not passive…"
  3. "There are indeed four attitudes to the world, : opposition, resignation, cooperation, and domination. We are continually moving among them. Zen is the last."
  1. "... I feel inclined to warn you against a humourless Zen. The secret of life consists in being always and never serious!"
  2. "Humour is the origin of life. Humour is the meaning of life. Humour is the object of life. But don't take it too seriously!"
  3. "… laughter is the result and the evidence of the perception of the whole truth. Again, humour or its invariable concomitant laughter … is not a means, it's the end, enlightenment itself"
  4. '...when Shuilao was asked what his enlightenment was, he answered, "Since the master kicked me, I have not been able to stop laughing"'
  5. "Zen is laughing at the world, laughing with the world"
"the Bible of Zen, the Mumonkan plus the Hekiganroku, is the universe laughing at itself"

Blyth on Zen

"Zen is the essence... of all that is good in the daily life of the ordinary people. But that does not mean that we are not to smash it flat if we get the slightest opportunity. And we are not going to attack foxy Zen, or the hypocrites and time-servers who support it, but Zen itself in its highest and sublimest forms … the great thing is to have the courage, and say again and again, "All that can be shaken shall be shaken!" and if nothing remains, let it be so"