Lo was a former CHIJ Katong Convent student. Lo was dubbed the "Sticker Lady" for her pasting of stickers utilising Singlish phrases, such as Press Until Shiok and Anyhow Paste Kena Fine, at traffic-light junctions and public spaces. In 2012, Lo was arrested for spray painting the words "My Grandfather Road" on Maxwell Road and Robinson Road. Her arrest by the police for vandalism sparked an outcry over her work, prompting debates over whether it could be seen as a work of art or vandalism. She was later charged for mischief and sentenced to 240 hours of community service in 2013.
Career
In 2009, Lo founded online magazine RCGNTN as a way to recognise local artists and talent. She was also a content curator for the National Gallery Singapore's Canvas project. In 2012, Lo was arrested for vandalism for pasting satirical stickers on traffic light buttons such as Press Once Can Already and Press Until Shiok as well as spray painting the words My Grandfather Road on several roads in the Central Business District. She was motivated to "take back the streets to make Singapore feel like Singapore again", a response to the fast-changing cityscape of the city. Netizens took to the internet to weigh in their views and started a petition to lessen her sentence, in the process birthing the identity "sticker lady". Lo was then charged in 2013 for Mischief instead of Vandalism which carried a heavier sentence. She then proceeded to work with numerous brands and agencies, notably Sentosa's The People's Republic showing satirical signs currently on display on the island. Lo made her debut at Affordable Art Fair in 2013 with a series of Yakult-inspired paintings and art collectibles that served as a statement on the commodification of art as a sign of status- each painting bore the words "More cultured than you will ever be!", a witty take on the cultured milk drink. This collection was reflective of Lo's post-sticker lady state as she questioned her identity as an artist. In 2015, she held her first solo exhibition, the LIMPEH Show, at The Substation. It comprises works from her LIMPEH portrait series of the late Lee Kuan Yew which began in the streets in 2011 as wheatpaste art on A4-sized papers and stickers, and later commissioned by collectors into collage paintings. On 5 November 2016, Lo painted the largest My Grandfather Road in chalk for Circular Spectacular. The chalk painting measured 170 metres long, the biggest the artist has attempted as yet. Lo held her second exhibition, Greetings From Singapore in January 2017. On display were photographs of socially satirical stickers pasted in public spaces together that served as 'photographic evidence' of her work on the streets, leading viewers and those who are familiar with her work to question the need to document these social interruptions in a city notorious for its cleanliness. These photographs were accompanied by newspaper clippings and old photographs of the original stickers and spray paint she was arrested for in 2012. At the exhibition, she also launched a photography book of the same title chronicling her work on the streets from 2012.
