The Four Seasons (Vivaldi)
The Four Seasons is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione.
The Four Seasons is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds, a shepherd and his barking dog, buzzing flies, storms, drunken dancers, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, and warm winter fires.
Unusually for the period, Vivaldi published the concerti with that elucidated what it was in the spirit of each season that his music was intended to evoke. The concerti therefore stand as one of the earliest and most detailed examples of what would come to be called program music—i.e., music with a narrative element. Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. For example, in the middle section of "Spring", when the goatherd sleeps, his barking dog can be heard in the viola section. The music is elsewhere similarly evocative of other natural sounds. Vivaldi divided each concerto into three movements, and, likewise, each linked sonnet into three sections.
List of concerti and movements
Vivaldi's arrangement is as follows:- Concerto No. 1 in E major, Op. 8, RV 269, "Spring"
- Concerto No. 2 in G minor, Op. 8, RV 315, "Summer"
- Concerto No. 3 in F major, Op. 8, RV 293, "Autumn"
- Concerto No. 4 in F minor, Op. 8, RV 297, "Winter"
- Spring: 10 minutes
- Summer: 11 minutes
- Autumn: 11 minutes
- Winter: 9 minutes
Sonnets and allusions
In addition to these sonnets, Vivaldi provided instructions such as "The barking dog", "Languor caused by the heat", and "the drunkards have fallen asleep".
Sonnet text
Recordings by Wichita State University Chamber Players
The following performances, recorded on 6 February 2000, are by the Wichita State University Chamber Players, an ensemble of the Wichita Symphony Orchestra. The soloist is John Harrison.Concerto No. 1 in E major, "La primavera"
Concerto No. 2 in G minor, "L'estate"
Concerto No. 3 in F major, "L'autunno"
Concerto No. 4 in F minor, "L'inverno"
Recording history
The date and personnel on the first recording of The Four Seasons are disputed. There is a compact disc of a recording made by the violinist Alfredo Campoli taken from acetates of a French radio broadcast; these are thought to date from early in 1939. The first proper electrical recording was made in 1942 by Bernardino Molinari; though his is a somewhat different interpretation from modern performances, it is clearly recognisable as The Four Seasons. Molinari's recording was made for Cetra, and was issued in Italy and subsequently in the United States on six double-sided 78s, in the 1940s. It was then reissued on long-playing album in 1950, and, later, on compact disc.The first American recording was made in the final week of 1947 by the violinist Louis Kaufman. The recording was made at Carnegie Hall in advance of a scheduled recording ban effective 1 January 1948. The performers were The Concert Hall Chamber Orchestra under Henry Swoboda, Edith Weiss-Mann and Edouard Nies-Berger. This recording helped the re-popularisation of Vivaldi's music in the mainstream repertoire of Europe and America following on the work done by Molinari and others in Italy. It won the French Grand Prix du Disque in 1950, was elected to the Grammy Hall of Fame in 2002, and was selected the following year for the National Recording Registry in the Library of Congress. Kaufman, intrigued to learn that the four concertos were in fact part of a set of twelve, set about finding a full score and eventually recorded the other eight concertos in Zürich in 1950, making his the first recording of Vivaldi's complete Op. 8.
The ensemble I Musici recorded The Four Seasons several times, the debut recording in 1955 with Felix Ayo; a 1959 recording featuring Ayo again; and subsequent recordings featuring Roberto Michelucci, Pina Carmirelli, Federico Agostini, and Mariana Sîrbu. The 1969 Argo recording by the Academy of St. Martin-in-the-Fields conducted by Neville Marriner and featuring the soloist Alan Loveday sold over half a million copies; it became the ensemble's first-ever gold record.
I Solisti di Zagreb, under the baton of Antonio Janigro with Jan Tomasow as violin soloist and Anton Heiller on harpsichord, followed in 1957 on the Vanguard label, further reissued under the Philips and other labels. Wilfrid Mellers, an English music critic, musicologist and composer wrote of this performance, "the soloists phrase their lyricism beautifully." John Thornton wrote about this recording, "Here is matchless ensemble playing, topped by Tomasow's secure playing. Janigro reveals his talent for conducting, which competes with his considerable talent for cello playing."
Ivan Supek wrote of this recording:
Paul Shoemaker wrote about this recording:
Nigel Kennedy's 1989 recording of The Four Seasons with the English Chamber Orchestra sold over copies, becoming one of the best-selling classical works ever. Gil Shaham and the Orpheus Chamber Orchestra recorded The Four Seasons as well as a music video for the first movement of "Winter" that was featured regularly on The Weather Channel in the mid-1990s.
The World's Encyclopedia of Recorded Music in 1952 cites only two recordings of The Four Seasons – by Molinari and Kaufman., approximately 1,000 different recorded versions have been made since Campoli's in 1939.
Classical musicians have sought to distinguish their recordings of The Four Seasons, with historically informed performances, and embellishments, to the point of varying the instruments and tempi, or playing notes differently from the listener's expectation. It is said that Vivaldi's work presents such opportunities for improvisation.
Derivative works
Derivative works of these concerti include arrangements, transcriptions, covers, remixes, samples, and parodies in music—themes in theater and opera, soundtracks in films, and choreography in ballet —either in their entirety, single movements, or medleys. Antonio Vivaldi appears to have started this trend of adapting music from The Four Seasons, and since then it has expanded into many aspects of the performing arts. This contest between harmony and invention now involves various genres around the world:;1726
- Vivaldi re-scored the Allegro movement from the "Spring" concerto, both as the opening sinfonia, and chorus for his opera Dorilla in Tempe.
- J.S. Bach used the theme of the first movement of the "Spring" concerto for the third movement of his cantata Wer weiß, wie nahe mir mein Ende? BWV 27.
- Vivaldi based his setting of "Gelido in ogni vena", an aria from Metastasio's Siroe, re di Persia libretto, on the first movement of the "Winter" concerto. Vivaldi's Siroe, containing an aria on this text, premiered in 1727. An aria on the "Gelido in ogni vena" text also appeared in his 1730 Argippo. In 1731, he inserted the extant version of this aria in his Farnace when this opera was restaged in Pavia.
- Nicolas Chédeville arranged the concerti for hurdy-gurdy or musette, violin, flute, and continuo.
- The French composer Michel Corrette composed and published a choral motet, Laudate Dominum de Coelis, subtitled Motet à Grand Chœur arrangé dans le Concerto de Printemps de Vivaldi. The work, for choir and orchestra, consists of the words of Psalm 116 set to the music from the Spring concerto with vocal soloists singing the solo concerto parts.
- Jean-Jacques Rousseau published his flute version of the "Spring" concerto.
- The Swingle Singers recorded an album based on the work.
- Ástor Piazzolla published Estaciones Porteñas, "The Four Seasons of Buenos Aires"; these have been included in "eight seasons" performances, along with Vivaldi's work, by various artists.
- Moe Koffman recorded a jazz album of the concerti.
- The New Koto Ensemble recorded the concerti on koto instruments.
- Michael Franks composed a vocal serenade based on the theme of the Adagio from the "Summer" concerto. This was subsequently covered by WoongSan in 2010.
- The Four Seasons is used in the eponymous 1981 film, along with other Vivaldi concertos for flute.
- Patrick Gleeson recorded a "computer realization" of the concerti.
- Thomas Wilbrandt composed and recorded "The Electric V", which interprets Vivaldi's work with ambient electronics, vocals, and samples of the original concerti.
- Roland Petit choreographed a ballet to an I Musici performance of Vivaldi's work.
- Ben Shedd produced a scenic tour of nature with the concerti as background music.
- A MIDI arrangement of the "Spring" concerto by Passport Designs was included with Windows 3.0.
- Jean-Pierre Rampal recorded arrangements of the concerti for flute; these were also recorded by Jadwiga Kotnowska.
- Arnie Roth recorded "The Four Seasons Suite", including sonnets. This may not qualify as a derivative work, depending on whether Vivaldi's translated sonnets were meant to be narrated with the music.
- The Baronics recorded surf guitar versions of one movement from each of the concerti.
- French musician Jacques Loussier composed and recorded, with his trio, jazz-swing interpretations of the concerti.
- The Great Kat recorded a shred guitar version of the Presto movement from the "Summer" concerto.
- Vanessa-Mae recorded a crossover version of the same movement for electric violin.
- The Chinese Baroque Players recorded arrangements of the concerti for traditional Chinese instruments.
- Petrova & Tikhonov performed their long program to a medley of Vivaldi's seasons to win the European Figure Skating Championships.
- Venice Harp Quartet recorded arrangements of the concerti for harp ensemble.
- Gustavo Montesano recorded a tango guitar version of the "Spring" Allegro with the Royal Philharmonic Orchestra.
- Jochen Brusch & Sven-Ingvart Mikkelsen recorded arrangements of the concerti for violin and organ.
- Bond recorded two singles based on the "Winter" concerto, with electric strings, vocals, and electronic beats,. They similarly interpreted a movement from each season for Peugeot car advertisements.
- Ferhan & Ferzan Önder recorded a transcription of the concerti for two pianos by Antun Tomislav Šaban.
- BanYa recorded a dance version of the "Winter" concerto for the Pump it Up video game.
- Susan Osborn recorded a new-age vocal serenade based on the "Winter" Largo.
- The Charades recorded the Presto from the "Summer" concerto as "Summer Twist", for surf guitar ensemble.
- An electronic cover of the same movement was recorded by Takayuki Ishikawa with the title "V" for the rhythm game Beatmania IIDX 5th Style. The song has become one of the most popular in the series, being included in every release since its debut.
- Red Priest recorded arrangements of the concerti for recorder.
- Hayley Westenra adapted the "Winter" concerto into a song titled "River of Dreams" which is sung in English. It was recorded for her Pure album in July 10.
- Tafelmusik arranged a cross-cultural arts special based on the concerti, involving a Chinese pipa, Indian sarangi and Inuit throat-singing.
- Mỹ Linh adapted the "Winter" concerto into a song titled "Mùa Đông" on her album Chat với Mozart .
- Dark Moor recorded an electric-guitar version of the Allegro non molto movement from the "Winter" concerto; this was later integrated into the Finnish video game Frets on Fire.
- Juliette Pochin performed on her debut album an operatic suite of sonnets set to the concerti.
- Accentus chamber choir recorded a choral version of the "Winter" concerto.
- Stéphane Lambiel performed his long program to a medley of the concerti to win the World Figure Skating Championships.
- Celtic Woman recorded the "Winter" Largo with vocals. The youngest former member, Chloë Agnew, originally recorded it for her Walking in the Air album which was released in 2002.
- PercaDu performed an arrangement of the Allegro non molto movement from the "Winter" concerto, for marimbas with chamber orchestra.
- Mauro Bigonzetti choreographed a ballet of the concerti for a French-Canadian dance company.
- Tim Slade directed 4, a documentary which follows four classical violinists in their homelands, as they relate to Vivaldi's Four Seasons.
- Seoul Metropolitan Traditional Music Orchestra performed the concerti with arrangement for Korean traditional music orchestra by Seong-gi Kim. It was recorded live and released with CD from Synnara Music same year.
- Sveceny & Dvorak produced both an album and stage production of world music based on the concerti.
- Yves Custeau recorded a rock & roll "one-man band" version of the "Spring" Allegro.
- Daisy Jopling recorded a violin & hip-hop version of the Allegro non molto movement from the "Winter" concerto, and also performs it reggae-style.
- Innesa Tymochko performed her crossover version of the Presto from the "Summer" concerto, for violin.
- Wez Bolton recorded a cover version of the Allegro non molto movement from the "Winter" concerto, based on the Japanese video game "Beatmania" remix.
- Patrick Chan performed his long program to a medley of the concerti to win the Canadian Figure Skating Championships.
- Absynth Against Anguish produced an electronic version of the concerti.
- Riccardo Arrighini recorded the concerti for solo piano, in a jazz style.
- Christophe Monniot recorded ambient-jazz interpretations of the concerti.
- Christian Blind recorded a surf guitar/acid rock version of the Allegro movement from the "Spring" concerto.
- Sodagreen launched their "Vivaldi Project" which resulted in a series of pop albums based on the concerti: Spring/Daylight, Summer/Fever, Autumn/Story and Winter/Endless. The project was completed in 2015 with the release of the fourth album.
- Art Color Ballet performed their "4 elements" show to the Presto movement from the "Summer" concerto, arranged by Hadrian Filip Tabęcki.
- David Garrett recorded a crossover version of Vivaldi's winter, combining classical violin with modern rock music.
- Black Smith performed the Presto movement from the "Summer" concerto in the style of thrash metal music.
- Angels performed their crossover version of the same movement, scored for electric strings.
- Szentpeteri Csilla performed her crossover version of the same movement, scored for piano.
- Leonel Valbom remixed the Presto movement from the "Summer" concerto with VST Synths.
- Tim Kliphuis performed the Allegro from the "Spring" movement as a crossover of world-music styles.
- Russian violinist Olga Kholodnaya and Argentinian drummer Marino Colina arranged and recorded live in Berlin a version for violin and drum kit.
- German-born British composer Max Richter created a postmodern and minimalist recomposition, '. Working with solo violinist Daniel Hope, Richter discarded around 75 per cent of the original source material; the album is 44 minutes long.
- Aura recorded an a cappella arrangement of the concerti, and had also performed Vivaldi's Spring chorus on a prior album.
- Sinfonity performed the concerti for "electric-guitar orchestra".
- Bachod Chirmof produced a MIDI recording & animation of Vivaldi's winter.
- Tornado Classic performed the Presto movement from the "Summer" concerto, with electric guitar and slap bass.
- The symphonic rock band Trans-Siberian Orchestra used a portion of the first movement of the "Winter" concerto in their song "Dreams of Fireflies " on their Dreams of Fireflies EP. The song also uses a portion of Mozart's "Der Hölle Rache kocht in meinem Herzen," which it had used previously.
- Richard Galliano recorded the concerti for accordion, as well as a few of his opera arias on the instrument.
- Vito Paternoster recorded the concerti in the form of sonatas for cello.
- Periodic produced a megamix of the concerti, which incorporates electronica with samples of a classical recording.
- Steven Buchanan produced a tetralogy of "midseasons" from Vivaldi's program music.
- The Piano Guys recorded an arrangement for piano and cello, a crossover between the "Winter" concerto and "Let it Go" from the computer-animated film Frozen.
- Along with the original composition of "Winter" included in ', there are also two mixes: the "Alt Rock" mix, and the "Steve Porter" mix.
- Nihad Hrustanbegovic recorded the concerti for solo accordion on Zefir Records.
- Zozimo Rech and Adrianne Simioni recorded the concerti on electric and acoustic guitar on the Astronomusic label.
- Lupe Fiasco's songs "Summer", "Fall", "Winter", & "Spring" on his album Tetsuo & Youth reference the concerti.
- transcribed the concerti for solo piano.
- In April, violist David Aaron Carpenter recorded the concerti, arranged for viola and released with an arrangement of Piazzolla's Estaciones Porteñas and The Four Seasons of Manhattan by Alexey Shor.