The Wave (2015 film)


The Wave is a 2015 Norwegian disaster film directed by Roar Uthaug. It was Norway's official submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards but failed to be nominated. The movie depicts a future event in Møre og Romsdal in which the crevasse collapses, creating an avalanche resulting in an tall tsunami that destroys everything in its path. A sequel titled The Quake, directed by John Andreas Andersen, was released on 31 August 2018.

Plot

Kristian Eikjord, an experienced geologist, is having his final day of duty in the famous Norwegian tourist destination Geiranger, and is scheduled to move to Stavanger with his family. After a small farewell feast with his colleagues at the Åkerneset monitoring station, sensors on the mountain indicate groundwater has disappeared. The team tells Kristian not to worry, they will check it out. Later, Kristian and his children are leaving while his wife Idun works at the local hotel for a few more days. Waiting for the ferry, Kristian has an epiphany after observing surrounding events and rushes back to the geology center, leaving his children Sondre and Julia in the car. There, he convinces them the waters are having a profound effect on the crevasse. He heads up by helicopter with Jacob, where they find the instrument-connected wires have snapped. Kristian's former boss Arvid agrees to enter a higher state of alert, but refuses to press the evacuation alarm based on the current evidence.
Having done what he can, Kristian returns to his car, but finds the children were impatient and went to the hotel. There, he apologizes and Idun tells the children to sleep at the hotel for the night, but Julia wants to say goodbye to their house by spending one last night there. Kristian drives home with her to stay there one last time. Meanwhile, Sondre is bored in his hotel room and heads down to the basement with headphones to skateboard.
Instrument calculations indicate contraction changes in the crevasse, thus Arvid and Jacob head there to check the "C-pumps", they find the readings are accurate and not a malfunction. Kristian reviews his old documents and finds contractions can be a sign of an upcoming avalanche, due to water pressure changing within the mountain. Kristian dials the station and orders his colleagues to evacuate Arvid and Jacob from the crevasse immediately and sound the outdoor warning alarms to alert the residents of Geiranger that there is an imminent threat of a tsunami. Moments later, the avalanche happens; Arvid decides to sacrifice himself, linking Jacob to their zip-line after his foot is trapped, falling to his death shortly after. As feared, the rockslide crashes into the fjord and creates a gigantic tsunami approximately high roaring towards Geiranger.
With ten minutes on the countdown, Kristian rushes to Geiranger with Julia to pick up his wife and son, but Idun orders them to ascend to safety. She and her colleague Vibeke desperately attempt to evacuate the hotel patrons onto a waiting bus, but Sondre is nowhere to be found. Time is quickly running out, but Idun refuses to leave him. Two Danish tourists are following her on the search. Kristian and Julia are stuck in traffic trying to get up the mountain, and realizing their altitude is dangerously low, they start running uphill on foot, yelling for everyone else to do the same. During the rush, a man forgets to set the car's brake, causing it to roll backwards and trap Anna's leg. Kristian sends Julia up the mountain with Thomas and Teresa, their daughter. With seconds until wave impact, Kristian seats himself and Anna in a van in a desperate attempt to survive. The tsunami engulfs the vehicle into a chaotic underwater maelstrom. Idun finds Sondre, but the tsunami approaches too quickly. Rushing back downstairs to the basement's bomb shelter, the wave strikes the hotel violently and washes Maria away, forcing Idun to close the shelter's door after convincing Philip that Maria is already dead.
Kristian realizes he miraculously survived the maelstrom, but finds Anna next to him dead, having been impaled by a large piece of debris. After Kristian finds Julia alive, he leaves her with Thomas and his daughter, while he heads back to Geiranger to find the rest of his family. The town has been wiped off the map, and he finds the evacuation bus, filled with dead passengers, including Vibeke. Realizing Idun and Sondre are not among them, he heads to the ruins of the hotel. Down in the bomb shelter, the water level rises and deforms the door, which is blocked by heavy debris. With the situation worsening, Philip panics and pushes Idun and Sondre underwater in a frenzied attempt to breathe. Unable to calm him down, Idun is forced to drown him.
Kristian finds his son's backpack in one of the rooms, and feeling hopeless, he furiously bangs some exposed pipes with a metal rod. The noises are heard by Idun and Sondre, who then respond in like. Kristian tracks the noise to the bomb shelter, but as he dives, further damage occurs to the hotel, causing water to flood where they are taking refuge. He removes the heavy debris and reunites with Idun, but as he returns with Sondre, he runs out of air. Idun heads back for him and begins a desperate attempt to revive him. While it seems Kristian has drowned and Idun accepts his death, Sondre gives one last frantic effort at revival, which pays off. The family is reunited at Ørnesvingen, and the film closes saying the events are likely to occur in the future, but the exact date is unpredictable.

Cast

Development

Norway is a rockslide prone area and The Wave is based on a rock-slide tsunami incident which destroyed the village of Tafjord on 7 April 1934, killing 40 people. Prior to that, a similar incident in 1905 triggered a tsunami killing 60 people, and 31 years later, another 74 lost their lives. Uthaug has always been a fan of Hollywood disaster films such as Twister and Armageddon and had long wanted to make a disaster film in Norway. According to him the challenge was to combine the elements of the American genre film with the reality of the situation in Norway.
All the actors performed their own stunts, something the director said was "utterly nerve-racking." And for a climatic scene, in which Joner tries to rescue his family from a flooded hotel, he trained with free-diving instructors to be able to hold his breath for three minutes underwater.

Release

The Wave had its international premiere at the 2015 Toronto International Film Festival on 16 September 2015.

Box office

The film sold around 800,000 tickets in Norway, and grossed a total of US$8.2 million at the Norwegian box office becoming the highest grossing film of 2015 in Norway.

Awards and accolades

At the 2016 Amanda Awards, The Wave received the award for Best Norwegian Film in Theatrical Release, as well as the awards for Best Sound Design and Best Visual Effects. In addition, the film was also nominated in the categories of Best Norwegian Film, Best Director, Best Cinematography, and Best Music.
At the Kanon Awards for 2016, The Wave won for Best Male Actor in a Leading Role, Best Producer, Best Editing, and Best Production Design.

Critical reception

The film received positive reviews from critics, with praise aimed at the performances of the cast, cinematography, score and visual effects. Deborah Young of The Hollywood Reporter called the film "an exotic edge-of-seater plays on the beauty and terror of nature" and "a thrilling ride", while chief international film critic Peter Debruge of Variety described it as "an equally impressive tsunami-peril thriller."
The review aggregator website Rotten Tomatoes reported that 83% of critics have given the film a positive review based on 108 reviews, with an average rating of 6.64/10. The site's critics consensus states: "Well-acted and blessed with a refreshingly humanistic focus, The Wave is a disaster film that makes uncommonly smart use of disaster film clichés." Metacritic reports a weighted average score of 68 out of 100 based on 26 critics, indicating "generally favorable reviews".
The special effects were lauded by critics, receiving favorable comparison with those of Hollywood. Deborah Young of The Hollywood Reporter called them "convincingly terrifying and involving." Collider reviewed, "...a major technical achievement that will hopefully make Hollywood reconsider the tendency to go bigger and bigger to the point of excess."
The English-language audio dub, however, was panned by critics. Kelli Marchman of HorrorFuel.com wrote "the voice-over was horrid. The timing was off, and the character’s voices were emotionless. It sounded like the lines were being read off of a script by a robot, with no concern of how the characters came across" before recommending the movie only in its original Norwegian.