The edifice lay in Istanbul, in the district of Fatih, in the neighborhood of Ayvansaray. The only remaining part of the building – the south wall – is enclosed in a modern house at Toklu Ibrahim Dede Sokak, a few meters inside the walled city, a short distance from the shore of the Golden Horn, at the junction between the Blachernae wall and the largely pulled down Golden Horn walls.
After the Fall of Constantinople to the Ottomans in 1453, between the end of the 15th and the beginning of the 16th century the church was converted into a small mosque by Toklu Ibrahim Dede, a former soldier of Mehmed the Conqueror, who was the custodian of the nearby türbe of Ebû Șeybet ül Hudrî, like the more famous Abu Ayyub al-Ansari, a companion of the Prophet. Both died during the first Arab siege of Constantinople and were buried outside the wall of Heraclius. The türbe of Ebû Șeybet ül Hudrî is now placed in the citadel between the Wall of Heraclius and that of Leo the Armenian. In 1929 the owner of the building demolished it almost completely, leaving in place only the south wall and the apse. With the demolition the paintings, whose existence was known since 1890, came again to light. The first surveying of the remains occurred in 1954. As of 2012, only the surviving south wall, enclosed in a new building, and the name of the road where it once lay remember the small edifice.
Description
The building had a rectangular plan with external sides of 14.2 m and 6.7 m. A square single nave was surmounted by a barrel vault and covered at its center by a dome with a diameter of about 4 m. This was supported by arches carried by angular piers. The nave was preceded by an esonarthex and ended towards East with a bema and a polygonal apse adorned internally and externally with shallow niches. The plan of the building is similar on a reduced size to that of the Chora Church. The edifice's brickwork consisted of courses of rows of white stones alternating with rows of red bricks. The external wall were divided with half pillars and with lesenes surmounted by arches. The church was decorated with 14th-century frescoes, among them images of the Saints Eleuterus, Abercius, Polykarpos, Spyridon, Procopius and Nicetas, some of them framed in medallions. The barrel vault above the altar was decorated with a fresco representing the Nativity of Jesus.