The Concert was underwritten by Tony Stratton-Smith, founder of Charisma Records, who had just taken over Zig Zag Magazine from its founder Pete Frame, although Frame remained as a writer. The selected acts were favourites of Frame and the other ZigZag journalists; John Tobler, Andy Childs, and Connor McKnight. Andrew Lauder arranged and paid for Vic Maile to record the concert. In addition to the 5 acts featured on the CD, Bristol folksinger Aj Webber, also played, but was not recorded. Originally Chris Darrow and Kilburn and the High Roads were also billed to appear, but Darrow was abroad, and the Kilburn's pulled out due to the time available.
Reception
In Ptolemaic Terrascope, Phil McMullen described the recordings as "a vitally important document in the overall scheme of things" and "unashamedly" admitted that the Terrastock festivals "were directly influenced and inspired by the now legendary Zig Zag Benefit Concert" and concluded "It doesn’t get any better than this”. In Record Collector, Kris Needs said the 5CDs "capture rapturously-received sets" "The sound is immaculate, that amazing atmosphere dripping from every whoop, holler and pin-dropped hush" and gave it a 5-star rating
CD box set
The tapes remained unreleased until 2010 when Tony Poole edited and remastered them, and they were released on Tobler's label Road Goes on Forever Records. This was released on 11 October 2010 and contained 5 CDs and an information booklet.
This is the earliest released recording of Starry Eyed and Laughing, featuring their original drummer, Nick Brown, who left very shortly afterward. Eight of these songs appeared on their eponymous debut album released in October 1974 with new drummer Mike Wackford. ZigZag's Pete Frame was later to become their manager. ;Track listing Excluding song introductions, which the CD lists as separate tracks
were well known on the London pub-rock circuit, but it is felt that they never captured "the magical ambiance of their best live shows on record". This, their only official live recording, was made shortly before they recorded Bongos Over Balham. Having met the band at this concert, Michael Nesmith produced five tracks at the Bongosrecording session, although only two tracks appeared on the final album.
;Track listing Excluding song introductions, which the CD lists as separate tracks
"I'll Be Home"
"The Streets of Baltimore"
"Papa and Mama Had Love"
"Midnight Bus"
"Older Guys"
"Desert Island Woman"
"Friday Song"
"Goodbye Nashville, Hello Camden Town"
"Walkin' Blues"
"Just Like the Devil"
"Boppin' the Blues"
"Choo Choo Ch'Boogie"
"Fire on the Mountain"
"Drunken Sunken Redneck Blues"
"Six Days on the Road"
;Personnel
Phil "Snakefinger" Lithman - Guitar, Steel Guitar, Vocals
Martin Stone - Guitar, Vocals
Paul "Bassman" Riley - Bass, Vocals
Paul "Dice Man" Bailey - Guitar, Banjo, Sax, Vocals
Pete Thomas - Drums, Percussion
Will Stallibrass - Harmonica
CD3 - John Stewart
and his bass player Arnie Moore flew in from the US for the concert and borrowed Chilli Willi's drummer Pete Thomas. Stewart had recorded The Phoenix Concerts the previous month, although this had yet to be released. Many songs appear on both albums, but with a stripped-down sound on this album, as The Phoenix Concerts had a larger band. ;Track listing Excluding song introductions, which the CD lists as separate tracks All tracks were written by John Stewart
had disbanded in August 1973 and reformed just for this concert; Morley, Whaley and Leonard flying in from Switzerland where Man, who they were all then with, were on tour. Whaley, their original bass player, started off the set, with Burton, who replaced him, playing the later numbers, along with Leonard, who had briefly been a member in 1972. ;Track listing Excluding song introductions, which the CD lists as separate tracks
"Running Down Deep"
"Reaffirmation"
"American Mother"
"Blown Away"
;Personnel
Malcolm Morley - Guitar, Keyboards, Vocals
Richard Treece - Guitar
Ken Whaley - Bass
David Charles - Drums
Paul Burton - Bass
Deke Leonard - Guitar, Keyboards, Vocals
CD5 - Michael Nesmith with Red Rhodes
brought his pedal steel guitarist Red Rhodes with him and quickly established a rapport with the crowd and played "the storytelling troubadour" with thoughts, asides, and introductions. To tempt Nesmith to come to Britain to perform at the concert, Stratton Smith also asked him to produce Bert Jansch's album L.A. Turnaround, on which Nesmith and Rhodes also play. ;Track listing Excluding song introductions, which the CD lists as separate tracks All tracks are credited to Michael Nesmith on the CD slipcase, although "Wax Minute" was actually written by Richard Stekol