World War I in literature


Literature in World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologised. Many of the works during and about the war were written by men because of the war's intense demand on the young men of that generation; however, a number of women created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the homefront more generally.

General

The spread of education in Britain in the decades leading up to World War I meant that British soldiers and the British public of all classes were literate. Professional and amateur authors were prolific during and after the war and found a market for their works.
Literature was produced throughout the war - with women, as well as men, feeling the 'need to record their experiences' - but it was in the late 1920s and early 1930s that Britain had a boom in publication of war literature. The next boom period was in the 1960s, when there was renewed interest in World War I during the fiftieth anniversaries and after two decades focused on World War II.

Poetry

Published poets wrote over two thousand poems about and during the war. However, only a small fraction still is known today, and several poets that were popular with contemporary readers are now obscure. An orthodox selection of poets and poems emerged during the 1960s, which often remains the standard in modern collections and distorts the impression of World War I poetry. This selection tends to emphasise the horror of war, suffering, tragedy and anger against those that wage war.
In the early weeks of the war, British poets responded with an outpouring of literary production. Rudyard Kipling's For all we have and are was syndicated extensively by newspapers in English speaking countries. Robert Bridges contributed a poem Wake Up, England! at the outbreak of war that he later wished suppressed., John Masefield, who later succeeded Bridges as poet laureate, wrote August, 1914, a poem that was admired widely.
Wilfred Owen was killed in battle; but his poems created at the front did achieve popular attention after the war's end,.e.g., Dulce Et Decorum Est, Insensibility, Anthem for Doomed Youth, Futility and Strange Meeting. In preparing for the publication of his collected poems, Owen tried to explain:
Epic poem In Parenthesis by David Jones has also been widely hailed as a masterpiece.
The poem In Flanders Fields by John McCrae continues to be one of the more popular wartime poems in Canada, and has achieved a status where it is recognized as one of the country's most notable unofficial symbols.
The expressionist poet August Stramm wrote some of Germany's important poems about the war.
From the war itself until the late 1970s, the genre of war poetry was almost exclusively reserved for male poets. This was based on an idea of an exclusive authenticity limited to the works of those who had fought and died in the war. It excluded other forms of experience in the war, such as mourning, nursing and the home front, which were more likely to be experienced by other demographics such as women. There were over 500 women writing and publishing poetry during World War I. Examples of poems by female poets include Teresa Hooley's A War Film, Jessie Pope's War Girls, and Mary H.J. Henderson's An Incident. In addition to giving women greater access to work, the war also gave women greater artistic freedom and space to express their identities as artists.

Novels

A common subject for fiction in the 1920s and 1930s was the effect of the war, including shell shock and the huge social changes caused by the war. From the latter half of the 20th century onwards, World War I continued to be a popular subject for fiction, mainly novels.

Contemporary

is often portrayed by hostile critics as a militarist and jingoist despite being a pacifist in life. In 1913, when it seemed that war might yet be avoided, he published a long anti-war poem called The Wine Press. During World War I, Noyes was debarred by defective eyesight from serving at the front. Instead, from 1916, he did his military service on attachment to the Foreign Office, where he worked with John Buchan on propaganda. This included work as a literary figure, writing morale-boosting short stories and exhortatory odes and lyrics recalling England's military past and asserting the morality of her cause. These works are forgotten today apart from two ghost stories, "The Lusitania Waits" and "The Log of the Evening Star", which are still occasionally reprinted in collections of tales of the uncanny.
Im Westen nichts Neues, Erich Maria Remarque's best-selling book about World War I, was translated into 28 languages with world sales nearly reaching 4 million in 1930. The work of fiction, and the award-winning film adaptation have had a greater influence in shaping public views of the war than the work of any historian. John Galsworthy's perspective was quite different in 1915 when he wrote
Remarque's book was partly based on Henri Barbusse's 1916 novel Under Fire. Barbusse was a French journalist who served as a stretcher-bearer on the front lines, and his book was very influential in its own right at the time. By the end of the war, it had sold almost 250,000 copies and read by servicemen of many nations.
British novelist Mary Augusta Ward wrote generally pro-war novels, some at the request of United States President Theodore Roosevelt, which nevertheless raised questions about the war. These include England's Effort, Towards the Goal, Missing, The War and Elizabeth and Fields of Victory.
Some pre-existing popular literary characters were placed by their authors in World War I-related adventures during or directly after the war. These include Tom Swift, Sherlock Holmes and Tarzan.

Post-war

was one of the first combatants to publish a novel about the war, The Secret Battle. This was followed in subsequent years by others, including Through the Wheat by Thomas Alexander Boyd, the "Spanish Farm Trilogy"—Sixty-Four, Ninety-Four and The Crime at Vanderlynden's —by Ralph Hale Mottram, Death of a Hero by Richard Aldington, The Middle Parts of Fortune by Frederic Manning, The Patriot's Progress by Henry Williamson, Generals Die in Bed by Charles Yale Harrison and Winged Victory by Victor Maslin Yeates.
Parade's End by Ford Madox Ford was a highly acclaimed tetralogy of novels, published between 1924 and 1927, that covers the events of World War I and the years around it from the viewpoint of a government statistician who becomes an officer in the British Army during the war. The novels were based on Ford's own experience in the war after he had enlisted at age 41.
Willa Cather wrote One of Ours in 1922, and won the Pulitzer Prize in 1923 for her novel that tells the story of Claude Wheeler, a Nebraska farmer who escapes a loveless marriage to fight in the War. Critics like H.L. Mencken and Sinclair Lewis panned the book, mostly because it romanticized war. Cather based Claude Wheeler on her cousin G.P. Cather, who was killed in 1918 at the Battle of Cantigny in France.
May Sinclair volunteered with the Munro Ambulance Corps in 1914 and published her account of the front in Belgium as A Journal of Impressions in Belgium. She followed this with three novels about the war, Tasker Jevons, The Tree of Heaven and The Romantic. Journalist Evadne Price wrote a semi-biographical novel ' about ambulance drivers based on women she had interviewed.
W. Somerset Maugham's ', a collection of short stories, was based on the author's experience with British Intelligence during the war. It was loosely adapted into the film Secret Agent, directed by Alfred Hitchcock, and a 1991 BBC TV series.
German author Hans Herbert Grimm wrote a novel Schlump in 1928 which was published anonymously due to its satirical and anti-war tone, loosely based on the author's own experiences as a military policeman in German-occupied France during WW1. The novel was banned by the Nazis in 1933 and Grimm was not credited as the author until 2013.
British novelist W.F. Morris wrote two mystery novels set in the Great War- and Behind the Lines. Morris served in the British army during the war.
A Farewell to Arms is a novel by Ernest Hemingway set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a lieutenant in the ambulance corps of the Italian Army. The novel is about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of World War I, cynical soldiers, fighting and the displacement of populations. The publication of A Farewell to Arms cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle World War I."
The popular literary characters Biggles and Bulldog Drummond were created by veterans of the war, W.E. Johns and H.C. McNeile respectively. Both characters served in the war and shared some their creators' history. The Bulldog Drummond books were popular among veterans after the war. Writers like Paul Fussell and Janet S.K. Watson have questioned 'hat role memory play in historical reconstruction’ - arguing that retrospective accounts are often disillusioned.
French writer and former infantryman on the Western Front Gabriel Chevallier wrote a novel Fear in 1930, based on his own experiences in the Great War. The novel was not published in English until 2011.
Although most famous for his popular Hornblower series of Napoleonic War adventure novels, C.S. Forester also wrote three novels set in the First World War. Of the three, only one- The General was set on the Western Front, the others The African Queen, which was famously filmed in 1951, was set in German East Africa and Brown on Resolution, was a naval adventure set in the Central Pacific. According to one source, Adolf Hitler admired the novel The General in the late 1930s and recommended it to his generals due to its depiction of the British military mindset.
Writer William March, who fought with the U.S. Marines in France during World War I, wrote a novel Company K in 1933, loosely based on his own experiences. Another American writer Dalton Trumbo wrote a bitterly anti-war novel Johnny Got His Gun in 1938 which won a National Book Award the following year and was made into a film in 1971. New Zealander John A Lee, who fought as an infantryman in World War I and who lost an arm, produced a novel Citizen into Soldier inspired by his own experiences.

Late 20th-century and beyond

Novels concerning World War I continued to appear in the latter half of the 20th century, albeit less frequently.
The novel Return to the Wood by James Lansdale Hodson depicted the court-martial of a British soldier accused of desertion, and the book was adapted as the play Hamp in 1964 by John Wilson and filmed as King and Country by Joseph Losey in the same year.
The novel Covenant with Death by John Harris portrays a Sheffield Pals Battalion on the first day of the Battle of the Somme in 1916 and Christopher Hitchens later referred to it as a 'neglected masterpiece'. In the mid-1960s, there was a resurgence of fiction depicting the aerial campaigns of World War I, including The Blue Max by Jack D. Hunter, which became a major film in 1966 along with A Killing for the Hawks by Frederick E. Smith and In the Company of Eagles by Ernest K. Gann.
How Young They Died by Stuart Cloete was possibly the last novel written by an actual veteran. Elleston Trevor had made his name in the 1950s through episonage and WW2-themed novels but he turned to World War I with his novel Bury Him Among Kings.
The novel Goshawk Squadron by Derek Robinson depicts a British air-force unit in the closing months of World War I, was shortlisted for the Booker Prize and was later followed by two 'prequels' set earlier in the conflict, War Story and Hornet's Sting. Three Cheers for Me and its sequel That's Me in the Middle by Donald Jack, are narrated by fictional Canadian air ace Bart Bandy; both won the Leacock Medal. Canadian novelist Timothy Findley's novel of the conflict The Wars was published in 1977 and it received his country's top award for literature.
War Horse by Michael Morpurgo is set in World War I and won the Whitbread Book Award for 1982. It has been adapted into a play and film. U.S. writer Mark Helprin's A Soldier of the Great War and French novelist Sebastien Japrisot's A Very Long Engagement both appeared in 1991. The novel Birdsong by Sebastian Faulks received much praise.
Of similar acclaim is Pat Barker's Regeneration Trilogy; the third novel from the series The Ghost Road, received the most prestigious award in British fiction: The Booker Prize in 1995 is a novel written by Jeff Shaara that uses perspectives from the generals and the doughboys and from the Allies and the Germans.
The 2011 novel The Absolutist was written by John Boyne, the story featuring two teenage friends who enlist in the British army together and experience the war on the Western Front. The 2016 novel No Man's Land by Simon Tolkien portrays a working-class boy who has been adopted by a wealthy family and who interrupts his Oxford studies to serve in the trenches.

Memoirs

Captain John Hay Beith's The First Hundred Thousand, a best-selling account of life in the army, was published in 1915 and became one of the more popular books of the period. It was translated into French as Les Premiers Cent Mille. Due to its popularity in the United States, which was neutral at the time, Beith was transferred to the British War Mission in Washington, D.C.
The memoirs of several famous aerial 'aces' were published during the war, including Winged Warfare by Canadian William Bishop, Flying Fury by English ace James McCudden and The Red Fighter Pilot by Manfred von Richthofen.
After the war many participants published their memoirs and diaries. One of the first was Storm of Steel by German writer Ernst Junger, an account of his experiences as an officer on the Western Front. The first memoirs of Allied combatants were published in 1922, not long after the armistice: A Tank Driver's Experiences by Arthur Jenkins and Disenchantment by Charles Edward Montague. These were shortly joined with Undertones of War by Edmund Blunden, Good-Bye to All That by Robert Graves, A Subaltern's War by Charles Edmund Carrington, A Passionate Prodigality by Guy Chapman and Blasting and Bombardiering by Percy Wyndham Lewis. Memoirs of airmen included Wind in the Wires by Duncan Grinnell-Milne, Wings of War by Rudolf Stark and Sagittarius Rising by Cecil Arthur Lewis. Nurses also published memoirs of their wartime experiences, such as A Diary without Dates by Enid Bagnold, Forbidden Zone by Mary Borden, Testament of Youth by Vera Brittain and We That Were Young by Irene Rathbone.
Some Great War memoirs were not published until late in the 20th century or beyond, sometimes because the author did not write them until later in life or because they had been unable to, or had chosen not to, have them published at the time of writing. One example was Poilu by French writer, barrel-maker and political activist Louis Barthas, a memoir written shortly after the war but not published until 1978.The book described the author's experiences as a corporal in the French army on the Western Front.
British WW1 veteran George Coppard published his memoir With a Machine-Gun to Cambrai in 1968 while former airman Arthur Gould Lee produced his own memoir No Parachute the same year.
The memoir Somme Mud was written in the 1920s but not published until 2006, over two decades after the author's death. The author, Australian Edward Francis Lynch, fought with the AIF in France in 1916-1918.
The Burning of the World, first published in 2014, was a memoir of the Great War on the Eastern Front by Hungarian writer & painter Bela Zombory-Moldovan who enlisted in the Austro-Hungarian Army in 1914 at age 29.

Theatre

Plays about World War I include:

Novels inspired by the author's experiences